Today, jazz history is dominated by iconic figures who have taken on an almost God-like status. From Satchmo to Duke, Bird to Trane, these legendary jazzmen form the backbone of the jazz tradition. Jazz icons not only provide musicians and audiences with figureheads to revere but have also come to stand for a number of values and beliefs that shape our view of the music itself. Jazz Icons explores the growing significance of icons in jazz and discusses the reasons why the music’s history is increasingly dependent on the legacies of ‘great men’. Using a series of individual case studies, Whyton examines the influence of jazz icons through different forms of historical mediation, including the recording, language, image and myth. The book enc...
Watching Jazz: Encounters with Jazz Performance on Screen is the first systematic study of jazz on s...
This article comments on the paradoxical nature of new art and its relationship to technology, and d...
This article comments on the paradoxical nature of new art and its relationship to technology, and d...
Today, jazz history is dominated by iconic figures who have taken on an almost God-like status. From...
Today, jazz history is dominated by iconic figures who have taken on an almost God-like status. From...
Since the mid 1950s, musicians have mixed religious text and music with the tradition of jazz. The r...
This chapter dispels the mythology of fans as imagined "others" and explores ways in which fandom pe...
This chapter dispels the mythology of fans as imagined "others" and explores ways in which fandom pe...
This chapter dispels the mythology of fans as imagined "others" and explores ways in which fandom pe...
[Introduction] Power and information often go hand in hand. Those who have the power to shape the wo...
Distills an oral history project that began in 1995 under the auspices of the Fillius Jazz Archive a...
Despite the plethora of writing about jazz, little attention has been paid to what musicians themsel...
This chapter focuses on the problem of writing jazz history through an analysis of Alan Lomax’s biog...
This chapter focuses on the problem of writing jazz history through an analysis of Alan Lomax’s biog...
This article comments on the paradoxical nature of new art and its relationship to technology, and d...
Watching Jazz: Encounters with Jazz Performance on Screen is the first systematic study of jazz on s...
This article comments on the paradoxical nature of new art and its relationship to technology, and d...
This article comments on the paradoxical nature of new art and its relationship to technology, and d...
Today, jazz history is dominated by iconic figures who have taken on an almost God-like status. From...
Today, jazz history is dominated by iconic figures who have taken on an almost God-like status. From...
Since the mid 1950s, musicians have mixed religious text and music with the tradition of jazz. The r...
This chapter dispels the mythology of fans as imagined "others" and explores ways in which fandom pe...
This chapter dispels the mythology of fans as imagined "others" and explores ways in which fandom pe...
This chapter dispels the mythology of fans as imagined "others" and explores ways in which fandom pe...
[Introduction] Power and information often go hand in hand. Those who have the power to shape the wo...
Distills an oral history project that began in 1995 under the auspices of the Fillius Jazz Archive a...
Despite the plethora of writing about jazz, little attention has been paid to what musicians themsel...
This chapter focuses on the problem of writing jazz history through an analysis of Alan Lomax’s biog...
This chapter focuses on the problem of writing jazz history through an analysis of Alan Lomax’s biog...
This article comments on the paradoxical nature of new art and its relationship to technology, and d...
Watching Jazz: Encounters with Jazz Performance on Screen is the first systematic study of jazz on s...
This article comments on the paradoxical nature of new art and its relationship to technology, and d...
This article comments on the paradoxical nature of new art and its relationship to technology, and d...