1) The aesthetic response to music is the purest and highest kind of musical appreciation, 2) In aesthetic listening the subject is absorbed in the music qua. music, identifying himself with the developing system of musical relationships, 3) Musical absorption tends to inhibit extra-musical experience. 4) Absorption or self-individuation in the music depends on the degree to which the musical system is grasped and followed. 5) Thus aesthetic listening has an intellectual basis. The subject grasps. follows and understands the relationships as regards pitch , rhythm and the dynamic qualities . He may know these only intuitively, 6) Progress from the lower levels of musical experience to the highest depends on the subject's musical recept...
Research about musical experience can be found in various works written about the experience of joy ...
'Aesthetic response' is one of a constellation of related terms and concepts (e.g., aesthetic expe...
Background in music psychology. Music psychology, in its historical development, followed the paradi...
That music evokes emotion is a well-known and uncontested fact. Rather more contentious have been t...
Psychology of Musical Perception. Listening to music should be considered as a basic activity in the...
All Art tends to the nature of music, like the nature of anything else we can discuss with any prof...
The main aim of this article is to establish the ontological status of musical emotions. Referring t...
Music has the capacity to affect humans’ affective, social and cognitive abilities in different ways...
Listeners attribute a positive or negative value to music. This aesthetic experience is known ...
This study examines the philosophical question of how it is possible to appreciate musicaestheticall...
Philosophers of music and psychologists have examined the various ways in which music is capable of ...
Background in the psychology of music. The historical development of the psychology of music larg...
This article is a hypothesis and theory paper. It elaborates on the possible relation between music ...
Citation: Stewart, Effie L. Psychology of music. Senior thesis, Kansas State Agricultural College, 1...
Dissertation by Jeanette Bicknell on the scope and nature of the 'levels of understanding' that dete...
Research about musical experience can be found in various works written about the experience of joy ...
'Aesthetic response' is one of a constellation of related terms and concepts (e.g., aesthetic expe...
Background in music psychology. Music psychology, in its historical development, followed the paradi...
That music evokes emotion is a well-known and uncontested fact. Rather more contentious have been t...
Psychology of Musical Perception. Listening to music should be considered as a basic activity in the...
All Art tends to the nature of music, like the nature of anything else we can discuss with any prof...
The main aim of this article is to establish the ontological status of musical emotions. Referring t...
Music has the capacity to affect humans’ affective, social and cognitive abilities in different ways...
Listeners attribute a positive or negative value to music. This aesthetic experience is known ...
This study examines the philosophical question of how it is possible to appreciate musicaestheticall...
Philosophers of music and psychologists have examined the various ways in which music is capable of ...
Background in the psychology of music. The historical development of the psychology of music larg...
This article is a hypothesis and theory paper. It elaborates on the possible relation between music ...
Citation: Stewart, Effie L. Psychology of music. Senior thesis, Kansas State Agricultural College, 1...
Dissertation by Jeanette Bicknell on the scope and nature of the 'levels of understanding' that dete...
Research about musical experience can be found in various works written about the experience of joy ...
'Aesthetic response' is one of a constellation of related terms and concepts (e.g., aesthetic expe...
Background in music psychology. Music psychology, in its historical development, followed the paradi...