'A moving and a moving on' : mobility, space, and the nation in Charles Dicken's Bleak House

This article argues that despite apparently being the most ‘national’ of his novels, Bleak House is actively engaged with mid-nineteenth-century global travel culture and that reading the text through its mobile structures offers a productive framework through which to reconsider the novel's nation-building practices. It explores the relationship between space, mobility, and social relations in the novel, reading Dickens's employment of mobile structures in the text as evidence of a deep anxiety about the preserve of national place in an era of global modernity and revealing the impossibility of denying Britain's inextricable connection to the modern world