Add to ORKGInspired by A Midsummer Night’s Dream, The Beginning is the second in a trilogy of works deconstructing Shakespearean stage directions. The Beginning was developed at Lakeside Arts Centre (Nottingham), Leeds Met Studio Theatre, Loughborough University and The Junction (Cambridge). Supported by the National Lottery through Arts Council England and commissioned by the World Event Young Artists 2012. Selected for the British Council's Edinburgh Showcase 2013
The program was scanned from an original held in the University Archives.A Midsummer Night's Dream w...
Peter Brook's production of A Midsummer Night's Dream ; Oberon and Puck (on trapezes) watch Titania ...
This chapter provides a critical discourse between Jones and Pinchbeck about the making of The Trilo...
Inspired by A Midsummer Night’s Dream, The Beginning is the second in a trilogy of works deconstruct...
Inspired by A Midsummer Night’s Dream, The Beginning is the second in a trilogy of works deconstruct...
From 2010-2014, Michael Pinchbeck created three devised performances inspired by the work of William...
Shakespeare's opening scenes are often overlooked as explicit dramturgical entrances into play and d...
An extract of The Beginning (2012) published in Podium issue 'Pour Les'. Podium is a European biling...
I first met Stefanie Preissner when she signed up as a volunteer leader with Lightbulb Youth Theatre...
Beginning is the first in a dramatic trilogy commissioned by the National Theatre. It investigated t...
Program for Becoming: An Evening of Short Plays, produced October 2012 as part of the 2012-2013 Prod...
Inspired by the stage direction from The Winter’s Tale, ‘Exit pursued by a bear’, The End explores e...
Only 24 U.S. states, plus DC, mandate sex education. That’s less than half of the country. When the ...
The playbill for Taylor University’s Spring 1986 performance of A Midsummer Night\u27s Dream by Will...
This manuscript is an analysis of artistic growth as well as an attempt to document the creative pro...
The program was scanned from an original held in the University Archives.A Midsummer Night's Dream w...
Peter Brook's production of A Midsummer Night's Dream ; Oberon and Puck (on trapezes) watch Titania ...
This chapter provides a critical discourse between Jones and Pinchbeck about the making of The Trilo...
Inspired by A Midsummer Night’s Dream, The Beginning is the second in a trilogy of works deconstruct...
Inspired by A Midsummer Night’s Dream, The Beginning is the second in a trilogy of works deconstruct...
From 2010-2014, Michael Pinchbeck created three devised performances inspired by the work of William...
Shakespeare's opening scenes are often overlooked as explicit dramturgical entrances into play and d...
An extract of The Beginning (2012) published in Podium issue 'Pour Les'. Podium is a European biling...
I first met Stefanie Preissner when she signed up as a volunteer leader with Lightbulb Youth Theatre...
Beginning is the first in a dramatic trilogy commissioned by the National Theatre. It investigated t...
Program for Becoming: An Evening of Short Plays, produced October 2012 as part of the 2012-2013 Prod...
Inspired by the stage direction from The Winter’s Tale, ‘Exit pursued by a bear’, The End explores e...
Only 24 U.S. states, plus DC, mandate sex education. That’s less than half of the country. When the ...
The playbill for Taylor University’s Spring 1986 performance of A Midsummer Night\u27s Dream by Will...
This manuscript is an analysis of artistic growth as well as an attempt to document the creative pro...
The program was scanned from an original held in the University Archives.A Midsummer Night's Dream w...
Peter Brook's production of A Midsummer Night's Dream ; Oberon and Puck (on trapezes) watch Titania ...
This chapter provides a critical discourse between Jones and Pinchbeck about the making of The Trilo...