This article examines the 2008 site-responsive production of Sarah Kane's Blasted, performed in the Queens Hotel in Leeds by theatre company nineteen;twentynine. The production provides a particularly pellucid example of scenographical specificity in a dramatic event, since the signified location (the hotel room) was supposedly a veridical counterpart to the signifying textual referent indicated in Kane's original text. Nonetheless while the company marketed the production in terms of its ‘authenticity’, it was at the same time criticised for lacking the necessary ‘realism’ that the play putatively requires (nineteen;twentynine 2012; Gardner (2008)). Using this production as a point of departure, this article extrapolates to make some obser...
This dissertation situates Sarah Kane's dramatic work beyond its In-Yer-Face debut productions (U.K....
This article analyses the chief characteristics of Sarah Kane's dramaturgy in both its textualand sc...
This study examines the creative strategies that are employed in performance to construct, alter, an...
Sarah Kane’s Blasted, published in 1995, starts as a conventional familiar piece but progresses to d...
The evolution of Sarah Kane’s work has frequently been considered as Janus-faced. The first plays ar...
This article applies the template of tragic structure as described by Aristotle in the Poetics to of...
The reconstruction of the Globe Theatre on London’s Bankside had historical accuracy as one of its a...
Sarah Kane's notorious 1995 debut, Blasted, has been widely though belatedly recognized as a definin...
Whilst it is widely acknowledged that in-yer-face theatre is shocking for its audiences, this study ...
A curious blind spot remains in the critical response to Sarah Kane’s Blasted: the rape of Cate by I...
The present thesis reveals how semiotic representation is fundamentally different from Aristotelian ...
Sarah Kane uses cruelty in her plays Blasted and Cleansed to shock the audience out of their indiffe...
This article explores the ways in which theatrical techniques might intervene in the representationa...
This essay situates itself within a wider research project on the reception and reproduction of Sara...
British playwright Sarah Kane had a short career, ending with her suicide in 1999. Critics often att...
This dissertation situates Sarah Kane's dramatic work beyond its In-Yer-Face debut productions (U.K....
This article analyses the chief characteristics of Sarah Kane's dramaturgy in both its textualand sc...
This study examines the creative strategies that are employed in performance to construct, alter, an...
Sarah Kane’s Blasted, published in 1995, starts as a conventional familiar piece but progresses to d...
The evolution of Sarah Kane’s work has frequently been considered as Janus-faced. The first plays ar...
This article applies the template of tragic structure as described by Aristotle in the Poetics to of...
The reconstruction of the Globe Theatre on London’s Bankside had historical accuracy as one of its a...
Sarah Kane's notorious 1995 debut, Blasted, has been widely though belatedly recognized as a definin...
Whilst it is widely acknowledged that in-yer-face theatre is shocking for its audiences, this study ...
A curious blind spot remains in the critical response to Sarah Kane’s Blasted: the rape of Cate by I...
The present thesis reveals how semiotic representation is fundamentally different from Aristotelian ...
Sarah Kane uses cruelty in her plays Blasted and Cleansed to shock the audience out of their indiffe...
This article explores the ways in which theatrical techniques might intervene in the representationa...
This essay situates itself within a wider research project on the reception and reproduction of Sara...
British playwright Sarah Kane had a short career, ending with her suicide in 1999. Critics often att...
This dissertation situates Sarah Kane's dramatic work beyond its In-Yer-Face debut productions (U.K....
This article analyses the chief characteristics of Sarah Kane's dramaturgy in both its textualand sc...
This study examines the creative strategies that are employed in performance to construct, alter, an...