We are awash with images and repetitive information. This affects the study and practice of architecture, which is by nature ocularcentric and reliant on a graphic system for the communication of architectural ideas between designer, builder, and client. The graphic system signifies the possible built outcome by serving as a conduit between ideas, design, and built form. This established system is threatened by the easily produced, reproduced, and consumed digital image. Investigation of this condition is relevant as the educational domain and professional practice of architecture both become stewards of, and servants to, that which is increasingly mediated by and technologically determined. This study presents a modest, but nonetheless val...