Synopsis of Vocal Musick by A.B. Philo-Mus, Music Theory in Britain, 1500–1700: Critical Editions, edited and with an introduction by Rebecca Herissone, (2006) Aldershot: Ashgate, 223 pp., ISBN-13 978-0-7546-3505-5, ISBN-10 0-7546-3505-8 (hbk), £55.00
Book review of 'English intonation: an introduction' by Wells, J. C. (2006). Cambridge: Cambridge Un...
Review: Adam Ockelford, Repetition in music: Theoretical and metatheoretical Perspectives, Royal Mus...
Oxford, New York: Oxford University Press. ISBN: 9780195177893.xv, 434 pp. Photographs, figures, tab...
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Reviews the book 'Cultural studies' affective voices' by Melissa Gregg, published by Palgrave Macmil...
[Extract] This is the first monograph by music scholar Birgit Drüppel, and the tenth in the Apwitihi...
Katherine R. Larson. The Matter of Song in Early Modern England: Texts in and of the Air. Oxford: Ox...
This is a review of the book by Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury ...
Book review of 'Music, experiment and mathematics in England, 1653-1705', by Benjamin Wardhaugh, Far...
Just where does one advise students of performance to go to for an introductory text on the study of...
Review of: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by...
Review of Byron Almén, A Theory of Musical Narrative (Bloomington, IN: Indiana University Press, 200...
A book review of 'Stance and voice in written academic genres', Ken Hyland and Carmen S Guinda (eds)...
By the time of his death, John Stevens (1921–2002), emeritus professor of medieval and Renaissance l...
A review of the book "Motets for One, Two or Three Voices and Basso Continuo," by Richard Dering, ed...
Book review of 'English intonation: an introduction' by Wells, J. C. (2006). Cambridge: Cambridge Un...
Review: Adam Ockelford, Repetition in music: Theoretical and metatheoretical Perspectives, Royal Mus...
Oxford, New York: Oxford University Press. ISBN: 9780195177893.xv, 434 pp. Photographs, figures, tab...
A review of Leslie Ritchie's book, 'Women writing music in late 18th-century England: social harmony...
Reviews the book 'Cultural studies' affective voices' by Melissa Gregg, published by Palgrave Macmil...
[Extract] This is the first monograph by music scholar Birgit Drüppel, and the tenth in the Apwitihi...
Katherine R. Larson. The Matter of Song in Early Modern England: Texts in and of the Air. Oxford: Ox...
This is a review of the book by Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury ...
Book review of 'Music, experiment and mathematics in England, 1653-1705', by Benjamin Wardhaugh, Far...
Just where does one advise students of performance to go to for an introductory text on the study of...
Review of: The kaleidoscope of women’s sounds in music of the late 20th and early 21st centuries, by...
Review of Byron Almén, A Theory of Musical Narrative (Bloomington, IN: Indiana University Press, 200...
A book review of 'Stance and voice in written academic genres', Ken Hyland and Carmen S Guinda (eds)...
By the time of his death, John Stevens (1921–2002), emeritus professor of medieval and Renaissance l...
A review of the book "Motets for One, Two or Three Voices and Basso Continuo," by Richard Dering, ed...
Book review of 'English intonation: an introduction' by Wells, J. C. (2006). Cambridge: Cambridge Un...
Review: Adam Ockelford, Repetition in music: Theoretical and metatheoretical Perspectives, Royal Mus...
Oxford, New York: Oxford University Press. ISBN: 9780195177893.xv, 434 pp. Photographs, figures, tab...