Reviews the responses to the European Commission consultation on proposals to exploit the potential of digital music distribution by reforming collective cross border management of copyright. Highlights areas of consensus, concerns over the basis on which the Commission identified the present system's inequalities and the responses relating to the use of blanket agreements, competition among collecting societies and the factors neglected by the study. Details the Commission's responses in its October 2005 Recommendation on Collective Cross-Border Management of Copyright and Related Rights for Legitimate Online Music Services, including those relating to transparency, royalty distribution and the avoidance of discrimination among rights hold...
Technology has upended the music industry. ‘Digital’ has changed the mechanics of music distribution...
Collective management organisations play an essential role in enabling the mass dissemination of con...
The Directive of February 2014 regarding the collective management of copyrights and the multi-terri...
This paper examines the restructuring of online rights management that the E.U. Commission recently ...
Examines the European Commission's ideas on reforming the collective management of intellectual prop...
A few years after the enactment and the implementation in the Member States of the European Union of...
Online exploitation of musical works allows consumers in the European Union (EU) to enjoy tens of mi...
Describes the progress of the European Commission's programme to promote the collective cross-border...
Master's thesis in music management - University of Agder 2013The background for this thesis was to ...
Defence date: 12 December 2011Examining Board: Professor Giovanni Sartor, European University Instit...
The current licensing regime practiced by collective rights organizations (“CROs”) is preventing rig...
Collective management of copyright and related rights is an important element of the copyright syste...
This paper examines the implications for European music culture of the European Union’s (EU) Digital...
The management of music rights is currently carried out in a collective manner, by national organisa...
PhDEMBARGOED UNTIL 01/06/2014The management of music rights is currently carried out in a collective...
Technology has upended the music industry. ‘Digital’ has changed the mechanics of music distribution...
Collective management organisations play an essential role in enabling the mass dissemination of con...
The Directive of February 2014 regarding the collective management of copyrights and the multi-terri...
This paper examines the restructuring of online rights management that the E.U. Commission recently ...
Examines the European Commission's ideas on reforming the collective management of intellectual prop...
A few years after the enactment and the implementation in the Member States of the European Union of...
Online exploitation of musical works allows consumers in the European Union (EU) to enjoy tens of mi...
Describes the progress of the European Commission's programme to promote the collective cross-border...
Master's thesis in music management - University of Agder 2013The background for this thesis was to ...
Defence date: 12 December 2011Examining Board: Professor Giovanni Sartor, European University Instit...
The current licensing regime practiced by collective rights organizations (“CROs”) is preventing rig...
Collective management of copyright and related rights is an important element of the copyright syste...
This paper examines the implications for European music culture of the European Union’s (EU) Digital...
The management of music rights is currently carried out in a collective manner, by national organisa...
PhDEMBARGOED UNTIL 01/06/2014The management of music rights is currently carried out in a collective...
Technology has upended the music industry. ‘Digital’ has changed the mechanics of music distribution...
Collective management organisations play an essential role in enabling the mass dissemination of con...
The Directive of February 2014 regarding the collective management of copyrights and the multi-terri...