Add to ORKGThis chapter compares the trajectories of Glauber Rocha and Werner Herzog in the light of the Cinema Novo
A dissertação dedica-se a uma análise e posterior comparação dos filmes Cabezas Cortadas (1970) e a ...
Os primeiros anos da década de 1960 representam um esforço da imaginação sobre a realidade e um impu...
As growing interest in his films clearly proves, Werner Herzog is one of the leading figures in cont...
This chapter looks into the gap between presentational realism and the representation of physical ex...
This text aims to present "Brazilian Cinema Novo", the Brazilian expression of what is generally cal...
The Cinema Novo movement emerged in Brazil in 1952 and was influenced by Italian neorealism and the ...
This article discusses the relationship between art and politics in the kinematics of Glauber Rocha ...
Werner Herzog’s films are well known for their visionary character. His visions, however, turn out t...
Este trabalho parte da análise de entrevistas, artigos e demais textos de autoria de Glauber de Andr...
This paper seeks to establish a conversation between Glauber Rocha and Bertold Brecht, switching bac...
Glauber Rocha (1939-1981), conhecido principalmente pelo seu trabalho de cineasta e como um dos expo...
The aim of this paper is to make some considerations about the connections between History and Cinem...
This study intends to reflect on some aspects of Glauber Rocha's cinematographic aesthetics, looking...
In the first instance, the course introduces films of outstanding importance that have made signific...
This article explores the similarities between the intellectual movement German Romanticism and Wern...
A dissertação dedica-se a uma análise e posterior comparação dos filmes Cabezas Cortadas (1970) e a ...
Os primeiros anos da década de 1960 representam um esforço da imaginação sobre a realidade e um impu...
As growing interest in his films clearly proves, Werner Herzog is one of the leading figures in cont...
This chapter looks into the gap between presentational realism and the representation of physical ex...
This text aims to present "Brazilian Cinema Novo", the Brazilian expression of what is generally cal...
The Cinema Novo movement emerged in Brazil in 1952 and was influenced by Italian neorealism and the ...
This article discusses the relationship between art and politics in the kinematics of Glauber Rocha ...
Werner Herzog’s films are well known for their visionary character. His visions, however, turn out t...
Este trabalho parte da análise de entrevistas, artigos e demais textos de autoria de Glauber de Andr...
This paper seeks to establish a conversation between Glauber Rocha and Bertold Brecht, switching bac...
Glauber Rocha (1939-1981), conhecido principalmente pelo seu trabalho de cineasta e como um dos expo...
The aim of this paper is to make some considerations about the connections between History and Cinem...
This study intends to reflect on some aspects of Glauber Rocha's cinematographic aesthetics, looking...
In the first instance, the course introduces films of outstanding importance that have made signific...
This article explores the similarities between the intellectual movement German Romanticism and Wern...
A dissertação dedica-se a uma análise e posterior comparação dos filmes Cabezas Cortadas (1970) e a ...
Os primeiros anos da década de 1960 representam um esforço da imaginação sobre a realidade e um impu...
As growing interest in his films clearly proves, Werner Herzog is one of the leading figures in cont...