[ Full text of this paper is not available in the UHRA]This paper considers whether the differences in the national institutional contexts in which US and UK freelance film workers operate result in different job search strategies and career building patterns. In particular the paper explores the extent to which nepotism (securing employment as a result of family connections) and networking (the active process of seeking employment opportunities through personal contacts) are employed as strategies in each of these national contexts. The paper begins with a description of the context within which careers are built in the film industries of the two countries, as while there is a degree of comparability between the sectors, there are also imp...
This master’s thesis investigates how freelancers experience job precarity and asymmetrical power re...
The article reports the findings of four UK organizational case studies of the structure of internal...
The characterisation of the contemporary creative and cultural industries (CCIs) as ‘cool, creative ...
Film Industry Research Group paper 7Available from British Library Document Supply Centre-DSC:9350.9...
in the US and UK film industries Addressing the issue of the embeddedness of labour markets, this pa...
Keith Randle and Nigel Culkin, 'Getting in and Getting on in Hollywood: Freelance Careers in an Unce...
Original article can be found at: http://www.informaworld.com/smpp/title~content=t713702518 Copyrigh...
Original article can be found at: http://www.emeraldinsight.com/ Copyright Emerald Group Publishing ...
The increasing use of networks, strategic alliances and other inter-firm forms of organizing create ...
Defence date: 14 February 2003Examining Board: Prof. Uschi BACKES-GELLNER (University of Zurich) ...
This Discussion Paper investigates freelance working in the Scottish film and television sector. The...
This Report gathers the evidence from our 2020 research project investigating freelance working in t...
Presented at the 31st International Labour Process Conference 2013, Rutgers University, New Brunswic...
Die Verfasser analysieren "die Karrieremuster in der US-amerikanischen Filmindustrie, in der sie ein...
Accounts of the shift to post-industrial modes of employment have tended to present an over-simplifi...
This master’s thesis investigates how freelancers experience job precarity and asymmetrical power re...
The article reports the findings of four UK organizational case studies of the structure of internal...
The characterisation of the contemporary creative and cultural industries (CCIs) as ‘cool, creative ...
Film Industry Research Group paper 7Available from British Library Document Supply Centre-DSC:9350.9...
in the US and UK film industries Addressing the issue of the embeddedness of labour markets, this pa...
Keith Randle and Nigel Culkin, 'Getting in and Getting on in Hollywood: Freelance Careers in an Unce...
Original article can be found at: http://www.informaworld.com/smpp/title~content=t713702518 Copyrigh...
Original article can be found at: http://www.emeraldinsight.com/ Copyright Emerald Group Publishing ...
The increasing use of networks, strategic alliances and other inter-firm forms of organizing create ...
Defence date: 14 February 2003Examining Board: Prof. Uschi BACKES-GELLNER (University of Zurich) ...
This Discussion Paper investigates freelance working in the Scottish film and television sector. The...
This Report gathers the evidence from our 2020 research project investigating freelance working in t...
Presented at the 31st International Labour Process Conference 2013, Rutgers University, New Brunswic...
Die Verfasser analysieren "die Karrieremuster in der US-amerikanischen Filmindustrie, in der sie ein...
Accounts of the shift to post-industrial modes of employment have tended to present an over-simplifi...
This master’s thesis investigates how freelancers experience job precarity and asymmetrical power re...
The article reports the findings of four UK organizational case studies of the structure of internal...
The characterisation of the contemporary creative and cultural industries (CCIs) as ‘cool, creative ...