This film depicts an 85-year-old dancer, Yeudith Arnon, rocking back and forth in a chair, slowly recounting her experiences as a young woman in Auschwitz. Her punishment for refusing to dance at an SS officer's party was to stand barefoot in the snow, and she pledged that if she survived she would dedicate her life to dance. In 1962, she created the Kibbutzim Dance Company and became internationally renowned for her dancing and choreography. Now she no longer dances, but in the rocking chair she can dance one more time. Will You Dance For Me is constructed from a specific, pre-existing personal narrative. The viewer is encouraged to feel both the absence and presence of Arnon's dance within the cadence of her rocking chair. She moves backw...
a dance for radio examines how improvisation may be used as a means of documentation. a dance for r...
For You, I Dance is a film set in Singapore in the 1960s portraying the struggles of two individuals...
Myths and stories have the ability to serve as life models, informing one about the experiences of o...
When I started working on DANCE UNTIL YOU DIE, I did not expect the project that I ultimately produc...
Must Be Not For Nothing is an animated adaptation of two dance pieces created in 2002-03 by my mothe...
Oftentimes as choreographers and creatives, we get engulfed into our own personal story. Our own int...
Dance and film are two distinct mediums of expression. Movement drives both of these art forms and ...
The project I am presenting is a series of improvisational dance works that I have edited together i...
Artist’s Statement This project consists of two dance pieces, “i need love to feel strong” and “Each...
abstract: This thesis takes four modern dance genre films — Footloose (1984), Save the Last Dance, T...
I am confused by the world, especially the tragic things that happen. Yet I feel better about it whe...
This article analyzes scenes from the screendance Körper (Body, Sasha Waltz, 2000)1—choreographed by...
Rolf de Heer’s "Dance Me To My Song" (1997) is a film with very little traditional dancing, being th...
My Culminating Honors project is rooted in two things I love and adore, film and dance. To execute b...
The mid-twentieth century was a time of rebellion, creativity, and experimentation in the fine arts ...
a dance for radio examines how improvisation may be used as a means of documentation. a dance for r...
For You, I Dance is a film set in Singapore in the 1960s portraying the struggles of two individuals...
Myths and stories have the ability to serve as life models, informing one about the experiences of o...
When I started working on DANCE UNTIL YOU DIE, I did not expect the project that I ultimately produc...
Must Be Not For Nothing is an animated adaptation of two dance pieces created in 2002-03 by my mothe...
Oftentimes as choreographers and creatives, we get engulfed into our own personal story. Our own int...
Dance and film are two distinct mediums of expression. Movement drives both of these art forms and ...
The project I am presenting is a series of improvisational dance works that I have edited together i...
Artist’s Statement This project consists of two dance pieces, “i need love to feel strong” and “Each...
abstract: This thesis takes four modern dance genre films — Footloose (1984), Save the Last Dance, T...
I am confused by the world, especially the tragic things that happen. Yet I feel better about it whe...
This article analyzes scenes from the screendance Körper (Body, Sasha Waltz, 2000)1—choreographed by...
Rolf de Heer’s "Dance Me To My Song" (1997) is a film with very little traditional dancing, being th...
My Culminating Honors project is rooted in two things I love and adore, film and dance. To execute b...
The mid-twentieth century was a time of rebellion, creativity, and experimentation in the fine arts ...
a dance for radio examines how improvisation may be used as a means of documentation. a dance for r...
For You, I Dance is a film set in Singapore in the 1960s portraying the struggles of two individuals...
Myths and stories have the ability to serve as life models, informing one about the experiences of o...