Add to ORKGKant admits that there are two kinds of human works that have something sublime about them, the work of the poet, e.g., tragedy, and the work of the politician, i.e., war. This paper will explore Kant's reasoning about the sublime element in these two human works
Most discussions of Immanuel Kant's political theory of international politics focus on his work on ...
This essay is going to show that the relationship between sublimity and morality in Kant’s precritic...
The article deals with the problem of whether Kant’s conception of fine art, as it is presented in t...
Kant admits that there are two kinds of human works that have something sublime about them, the work...
Immanuel Kant pre-emptively excludes all man-made contrivances from his definition of the sublime. T...
The aim of this paper is twofold. First, to explain the distinction between Kant’s notions of the su...
The aim of this paper is twofold. First, to explain the distinction between Kant’s notions of the su...
This paper examines the relationships between Romantic painting, poetry, and philosophy, historicall...
This paper takes up the possibilities for thinking about human solidarity that can be found in Imman...
The purpose of this article is to consider the category of sublime in the painting of the German ro...
A crucial feature of Kant's critical-period writing on the sublime is its grounding in moral psychol...
When we reflect on how man relates himself to Nature, we see that there arise two different position...
Immanuel Kant’s work on the sublimity of aesthetic experience lends itself to puzzlement, if not mis...
In today's political conjuncture, Kant's cosmopolitan thinking stands in some unique relation to his...
Most discussions of Immanuel Kant's political theory of international politics focus on his work on ...
This essay is going to show that the relationship between sublimity and morality in Kant’s precritic...
The article deals with the problem of whether Kant’s conception of fine art, as it is presented in t...
Kant admits that there are two kinds of human works that have something sublime about them, the work...
Immanuel Kant pre-emptively excludes all man-made contrivances from his definition of the sublime. T...
The aim of this paper is twofold. First, to explain the distinction between Kant’s notions of the su...
The aim of this paper is twofold. First, to explain the distinction between Kant’s notions of the su...
This paper examines the relationships between Romantic painting, poetry, and philosophy, historicall...
This paper takes up the possibilities for thinking about human solidarity that can be found in Imman...
The purpose of this article is to consider the category of sublime in the painting of the German ro...
A crucial feature of Kant's critical-period writing on the sublime is its grounding in moral psychol...
When we reflect on how man relates himself to Nature, we see that there arise two different position...
Immanuel Kant’s work on the sublimity of aesthetic experience lends itself to puzzlement, if not mis...
In today's political conjuncture, Kant's cosmopolitan thinking stands in some unique relation to his...
Most discussions of Immanuel Kant's political theory of international politics focus on his work on ...
This essay is going to show that the relationship between sublimity and morality in Kant’s precritic...
The article deals with the problem of whether Kant’s conception of fine art, as it is presented in t...