This article discusses Anders Lustgarten’s play, Lampedusa. The play is ostensibly about refugees and the Mediterranean crossing, as well as addressing EU migration, debt, and austerity. The article develops the idea of the debtor in neo-liberal economics suggesting that the refugee is required to become a debtor on settlement. While Lustgarten’s representation of refugees and migrants is not fully realised in that they are not enabled agents in the script or in performance, the article concludes that although the play is thus flawed, its characters’ search for moral restitution creates a thoughtful insight into British society and grounds for hope
This article is concerned with the example of Vienna's Volkstheater in asking how major European cul...
For this paper I shall look at ways of coordinating politics and entertainment, or in slightly other...
This article examines three examples from recent Greek theatre which stage experiences of migrants a...
The name Lampedusa resonates meaning in multiple ways. Located at the outskirts of the European Unio...
The tiny Italian island of Lampedusa in the Mediterranean has become notorious in the early twenty-f...
This article explores some recent representations of migrants and migration in British Theatre, spec...
This article by Graça P. Corrêa and Szabolcs Musca follows the production process of Passajar, an im...
Drawing on a cluster of multi-disciplinary approaches, but prioritizing critical cultural studies an...
The tiny Italian island of Lampedusa in the Mediterranean has become notorious in the early twenty-f...
In “We Refugees”, a short essay published in 1993, Giorgio Agamben builds on Hannah Arendt’s seminal...
Taking as a point of departure recent writing by theorists such as Seyla Benhabib, Michel Feher, and...
Contemporary English drama has increasingly engaged with issues of displacement and migration, drama...
This article argues that in a society transformed by an increasing bureaucratic nexus of migration, ...
Focusing on examples from theatre (On the Move festival, London International Festival of Theatre/Ro...
In this article, we reflect on our collaborative practice-as-research piece Project Finding Home, th...
This article is concerned with the example of Vienna's Volkstheater in asking how major European cul...
For this paper I shall look at ways of coordinating politics and entertainment, or in slightly other...
This article examines three examples from recent Greek theatre which stage experiences of migrants a...
The name Lampedusa resonates meaning in multiple ways. Located at the outskirts of the European Unio...
The tiny Italian island of Lampedusa in the Mediterranean has become notorious in the early twenty-f...
This article explores some recent representations of migrants and migration in British Theatre, spec...
This article by Graça P. Corrêa and Szabolcs Musca follows the production process of Passajar, an im...
Drawing on a cluster of multi-disciplinary approaches, but prioritizing critical cultural studies an...
The tiny Italian island of Lampedusa in the Mediterranean has become notorious in the early twenty-f...
In “We Refugees”, a short essay published in 1993, Giorgio Agamben builds on Hannah Arendt’s seminal...
Taking as a point of departure recent writing by theorists such as Seyla Benhabib, Michel Feher, and...
Contemporary English drama has increasingly engaged with issues of displacement and migration, drama...
This article argues that in a society transformed by an increasing bureaucratic nexus of migration, ...
Focusing on examples from theatre (On the Move festival, London International Festival of Theatre/Ro...
In this article, we reflect on our collaborative practice-as-research piece Project Finding Home, th...
This article is concerned with the example of Vienna's Volkstheater in asking how major European cul...
For this paper I shall look at ways of coordinating politics and entertainment, or in slightly other...
This article examines three examples from recent Greek theatre which stage experiences of migrants a...