How do we understand the nature of organizational creativity when dealing with complex, composite ideas rather than singular ones? In response to this question, we problematize assumptions of the linearity of creative processes and the singularity of ideas in mainstream creativity theory. We draw on the work of Bakhtin and longitudinal research in two contrasting cases: developing hydrocarbon prospects and concepts for films and TV series. From these two cases, we highlight two forms of work on ideas: (i) intertextual placing, whereby focal ideas are constituted by being connected to other elements in a larger idea field; and (ii) legitimating imaginings, where ideas of what to do are linked to ideas of what is worth doing and becoming. Thi...
Creativity is arguably one of the most crucial features of organisation as it infuses and influences...
Creativity and innovation in any organization are vital to its successful performance. The authors r...
With the rise of the knowledge economy, organizations and entire industries are focused on continuou...
© The Author(s) 2018. How do we understand the nature of organizational creativity when dealing with...
How do we understand the nature of organizational creativity when dealing with complex, composite id...
How do we understand the nature of organizational creativity when dealing with complex, composite id...
New ideas are central to a wide array of organizational phenomena and research that involve creativi...
Research on organizational creativity tends to emphasize fairly static notions of coercive power as ...
This paper contributes to process studies on organizational creativity by developing two competing r...
New ideas are central to a wide array of organizational phenomena and research that involve creativi...
To stay competitive, organizations must utilize employees’ creative output. A minimum requirement is...
This article explores the possibility that ideas are dynamic, socio-material and relational entities...
The dominant approach to creativity study and organisational creativity research has been to work fr...
Building on a sociocultural approach to creativity, the aim of this article is to examine the creati...
Creativity is arguably one of the most crucial features of organisation as it infuses and influences...
Creativity and innovation in any organization are vital to its successful performance. The authors r...
With the rise of the knowledge economy, organizations and entire industries are focused on continuou...
© The Author(s) 2018. How do we understand the nature of organizational creativity when dealing with...
How do we understand the nature of organizational creativity when dealing with complex, composite id...
How do we understand the nature of organizational creativity when dealing with complex, composite id...
New ideas are central to a wide array of organizational phenomena and research that involve creativi...
Research on organizational creativity tends to emphasize fairly static notions of coercive power as ...
This paper contributes to process studies on organizational creativity by developing two competing r...
New ideas are central to a wide array of organizational phenomena and research that involve creativi...
To stay competitive, organizations must utilize employees’ creative output. A minimum requirement is...
This article explores the possibility that ideas are dynamic, socio-material and relational entities...
The dominant approach to creativity study and organisational creativity research has been to work fr...
Building on a sociocultural approach to creativity, the aim of this article is to examine the creati...
Creativity is arguably one of the most crucial features of organisation as it infuses and influences...
Creativity and innovation in any organization are vital to its successful performance. The authors r...
With the rise of the knowledge economy, organizations and entire industries are focused on continuou...