This thesis develops new methods to acquire information about observable aspects of flute playing. Performance parameters, such as the changes in expelled breath, the forearm muscle movements, the variation in the applied pressure at the flute fulcrum points, and the modification of the flute’s spatial orientation, can reveal the physical actions exhibited by the musician during playing. Examining quantifiable characteristics such as these from a technological perspective could provide researchers with a more complete understanding of flute performance techniques. However, existing data capture and analysis methods lend themselves to inaccuracy and tend to occur primarily offline. Gesture and audio signals from experienced flutists were rec...
The use of computers as Digital Musical Instruments (DMI) rises many problems due to the separation ...
Musicianship is known to display high-level skills, which involve different aspects of mental proces...
This thesis addresses three aspects of movement, performance and perception in music performance. Fi...
This thesis develops new methods to acquire information about observable aspects of flute playing. P...
International audienceThis study was triggered by the flute players' and teacher's claim that a high...
This article describes a system for interactive performance that generates live musical accompanimen...
Learning to play the transverse flute is not an easy task, at least not for everyone. Since the flut...
This work deals with instrumental gestures and their relation to sound in recorder playing. In parti...
The wooden flute is a common melodic instrument used in Irish traditional music (ITM). A player’s st...
Measuring fine-grained physical interaction between the human player and the musical instrument can ...
This paper aims to present some perspectives on mapping embouchure gestures of flute players and the...
Among the difficulties facing woodwind players are (i) awkward fingerings for rapid passages, (ii) i...
The Virtual Flute is a web service that provides many thousands of machine-predicted alternative fin...
During the musical performance, expert musicians consciously manipulate acoustical parameters expres...
Abstract — Research in haptic perception strongly suggests that many parameters of listening carry o...
The use of computers as Digital Musical Instruments (DMI) rises many problems due to the separation ...
Musicianship is known to display high-level skills, which involve different aspects of mental proces...
This thesis addresses three aspects of movement, performance and perception in music performance. Fi...
This thesis develops new methods to acquire information about observable aspects of flute playing. P...
International audienceThis study was triggered by the flute players' and teacher's claim that a high...
This article describes a system for interactive performance that generates live musical accompanimen...
Learning to play the transverse flute is not an easy task, at least not for everyone. Since the flut...
This work deals with instrumental gestures and their relation to sound in recorder playing. In parti...
The wooden flute is a common melodic instrument used in Irish traditional music (ITM). A player’s st...
Measuring fine-grained physical interaction between the human player and the musical instrument can ...
This paper aims to present some perspectives on mapping embouchure gestures of flute players and the...
Among the difficulties facing woodwind players are (i) awkward fingerings for rapid passages, (ii) i...
The Virtual Flute is a web service that provides many thousands of machine-predicted alternative fin...
During the musical performance, expert musicians consciously manipulate acoustical parameters expres...
Abstract — Research in haptic perception strongly suggests that many parameters of listening carry o...
The use of computers as Digital Musical Instruments (DMI) rises many problems due to the separation ...
Musicianship is known to display high-level skills, which involve different aspects of mental proces...
This thesis addresses three aspects of movement, performance and perception in music performance. Fi...