Add to ORKGThis article argues that Lillian Hellman’s play The Children’s Hour (1934) conflates two taboos: lesbianism and suicide. In so doing, the play creates a space of irresolution that suggests an inherent instability in the process of the taboo.
The Motion Picture Production Code of 1930 banned homosexuality from the screen. This paper uses two...
In her article The Representation of Instinctive Homosexuality and Immoral Narcissism in Gide’s The...
Magister Educationis - MEdAn important aspect of my thesis is the discussion of the various narrator...
Cet article explore les éléments spatiaux et temporels dans Les Innocentes de Lillian Hellman en exa...
Queer theatre during the early 1900s in America seems to be almost non-existent when students study ...
This article addresses Lilian Hellman’s The Children’s Hour in terms of “the uncanny,” that is as a ...
This spring, the Theatre Department is producing The Children’s Hour by American playwright, Lillian...
The recent conflict over the exhibition of photographs by Robert Mapplethorpe at the Corcoran Galler...
An article written for Exeunt Magazine on the creation of the Arts Council Funded, small-scale touri...
The visual representations of suicide have a lengthy history in Western culture, within which selfan...
[[abstract]]The Children's Hour published in 1934 is Lillian Hellman's first play and the most contr...
The project, Revealing the Taboo: A Theatrical Investigation, is a study into theatre that attempts...
The quintessential image of the queer child in literature is an iconic one: young Lolita in a swimsu...
Based on the discourses of Marxist feminism and Psychoanalysis, the paper attempts to reconsider gen...
This study examines popular media representations of sex and death, using examples from television, ...
The Motion Picture Production Code of 1930 banned homosexuality from the screen. This paper uses two...
In her article The Representation of Instinctive Homosexuality and Immoral Narcissism in Gide’s The...
Magister Educationis - MEdAn important aspect of my thesis is the discussion of the various narrator...
Cet article explore les éléments spatiaux et temporels dans Les Innocentes de Lillian Hellman en exa...
Queer theatre during the early 1900s in America seems to be almost non-existent when students study ...
This article addresses Lilian Hellman’s The Children’s Hour in terms of “the uncanny,” that is as a ...
This spring, the Theatre Department is producing The Children’s Hour by American playwright, Lillian...
The recent conflict over the exhibition of photographs by Robert Mapplethorpe at the Corcoran Galler...
An article written for Exeunt Magazine on the creation of the Arts Council Funded, small-scale touri...
The visual representations of suicide have a lengthy history in Western culture, within which selfan...
[[abstract]]The Children's Hour published in 1934 is Lillian Hellman's first play and the most contr...
The project, Revealing the Taboo: A Theatrical Investigation, is a study into theatre that attempts...
The quintessential image of the queer child in literature is an iconic one: young Lolita in a swimsu...
Based on the discourses of Marxist feminism and Psychoanalysis, the paper attempts to reconsider gen...
This study examines popular media representations of sex and death, using examples from television, ...
The Motion Picture Production Code of 1930 banned homosexuality from the screen. This paper uses two...
In her article The Representation of Instinctive Homosexuality and Immoral Narcissism in Gide’s The...
Magister Educationis - MEdAn important aspect of my thesis is the discussion of the various narrator...