The work of Chinese cartoonists who published their illustrations in the popular press in occupied China from 1937 to 1945 has largely escaped the attention of scholars of both the occupation itself and the broader field of cartoon history. This article seeks to fill this gap in the literature by analyzing how the very nature of the occupation, together with efforts undertaken by collaborationist governments such as that of Wang Jingwei, created a context in which a particular body of artists could continue to draw. In so doing, the article raises questions about the place of “collaborationist” cartoonists in the broader development of art and propaganda in China and about the very nature of collaboration in the Chinese context
This article examines the creation and use of gendered archetypes by the Provisional Government of t...
In an attempt to map down the dynamics between Chinese political cartoons and institutional power, t...
This article examines the creation and use of gendered archetypes by the Provisional Government of t...
The work of Chinese cartoonists who published their illustrations in the popular press in occupied C...
During the War of Resistance against Japan (1937–45), China’s leading cartoon artists formed patriot...
Towards the end of the 19th century, the first illustrated pictorials began to appear in China. Sati...
During Japan’s war in China (1931-1945), both Japan and China produced wartime propaganda using popu...
During the War of Resistance against Japan (1937–1945), children were a major subject of propaganda ...
The Russo-Japanese War of 1904–1905 captured the imagination of reading publics around the world and...
This article looks at artists' engagement with artistic activities carried out in wartime Shanghai, ...
Iconographies of Occupation is the first book to address how the “collaborationist” Reorganized Nati...
This paper explores the importance of portrait photography to the wartime collaborationist regime of...
Since the second half of the XIX century, Chinese print media have been involved in intercultural e...
firefight in the vicinity of the Lugou Bridge, a crucial access route to Beijing.1 Only a few months...
This dissertation centers on the formation of socialist lianhuanhua in China in the 1950s and 1960s....
This article examines the creation and use of gendered archetypes by the Provisional Government of t...
In an attempt to map down the dynamics between Chinese political cartoons and institutional power, t...
This article examines the creation and use of gendered archetypes by the Provisional Government of t...
The work of Chinese cartoonists who published their illustrations in the popular press in occupied C...
During the War of Resistance against Japan (1937–45), China’s leading cartoon artists formed patriot...
Towards the end of the 19th century, the first illustrated pictorials began to appear in China. Sati...
During Japan’s war in China (1931-1945), both Japan and China produced wartime propaganda using popu...
During the War of Resistance against Japan (1937–1945), children were a major subject of propaganda ...
The Russo-Japanese War of 1904–1905 captured the imagination of reading publics around the world and...
This article looks at artists' engagement with artistic activities carried out in wartime Shanghai, ...
Iconographies of Occupation is the first book to address how the “collaborationist” Reorganized Nati...
This paper explores the importance of portrait photography to the wartime collaborationist regime of...
Since the second half of the XIX century, Chinese print media have been involved in intercultural e...
firefight in the vicinity of the Lugou Bridge, a crucial access route to Beijing.1 Only a few months...
This dissertation centers on the formation of socialist lianhuanhua in China in the 1950s and 1960s....
This article examines the creation and use of gendered archetypes by the Provisional Government of t...
In an attempt to map down the dynamics between Chinese political cartoons and institutional power, t...
This article examines the creation and use of gendered archetypes by the Provisional Government of t...