DOIAbstract
Review essay of James Elkins, What photography is (New York and London: Routledge, 2011), xiii + 222 pp.Liz Wells, Land matters: landscape photography, culture and identity (London: I. B. Tauris, 2011), 333 pp
Review essay of James Elkins, What photography is (New York and London: Routledge, 2011), xiii + 222 pp.Liz Wells, Land matters: landscape photography, culture and identity (London: I. B. Tauris, 2011), 333 pp
The images in this exhibition were based on questioning relationships between the histories of paint...
Photography and the Book examines the use of photograph in differing books, from Fox Talbot's The Pe...
This thesis compares and contrasts the multiple discourses on photography found in the critical and ...
Review essay of James Elkins, What photography is (New York and London: Routledge, 2011), xiii +...
The article discusses Roland Barthes’ experience of photography and presents its distinctive dramatu...
Scholars of nineteenth-century literature have been inspired by the multiplicity of connections that...
UID/PAM/00417/2019This article was prompted by James Elkins’s argument — developed in his book, What...
Existing photographic theory prioritises the image over any account of making. To date there is no t...
This sole-author book is a critical examination of the phenomenon of contemporary art photography. I...
This thesis compares and contrasts the multiple discourses on photography found in the critical and...
It can be argued that the nature of photography becomes drastically altered, and its identity change...
Since the Ancient Greeks the artisans of Mass Culture have continually attempted to define their dom...
This paper explores the key moments in Benjamin’s and Barthes’s analyses of the cultural significanc...
The desire and necessity to visually document, analyze, and interact with our social world is timele...
Guided by the question of what does photography bring into being, âAgainst Indexicalityâ is a propos...
The images in this exhibition were based on questioning relationships between the histories of paint...
Photography and the Book examines the use of photograph in differing books, from Fox Talbot's The Pe...
This thesis compares and contrasts the multiple discourses on photography found in the critical and ...
Review essay of James Elkins, What photography is (New York and London: Routledge, 2011), xiii +...
The article discusses Roland Barthes’ experience of photography and presents its distinctive dramatu...
Scholars of nineteenth-century literature have been inspired by the multiplicity of connections that...
UID/PAM/00417/2019This article was prompted by James Elkins’s argument — developed in his book, What...
Existing photographic theory prioritises the image over any account of making. To date there is no t...
This sole-author book is a critical examination of the phenomenon of contemporary art photography. I...
This thesis compares and contrasts the multiple discourses on photography found in the critical and...
It can be argued that the nature of photography becomes drastically altered, and its identity change...
Since the Ancient Greeks the artisans of Mass Culture have continually attempted to define their dom...
This paper explores the key moments in Benjamin’s and Barthes’s analyses of the cultural significanc...
The desire and necessity to visually document, analyze, and interact with our social world is timele...
Guided by the question of what does photography bring into being, âAgainst Indexicalityâ is a propos...
The images in this exhibition were based on questioning relationships between the histories of paint...
Photography and the Book examines the use of photograph in differing books, from Fox Talbot's The Pe...
This thesis compares and contrasts the multiple discourses on photography found in the critical and ...
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