Through the persona Carmelita Tropicana, Alina Troyano explores her Cuban, American, and queer identities by re-writing Cuban history in Memories of the Revolution. Here Troyano queers the heteronormative interpretation of her communities’ past by including alternative sexual and gender representations. Through this political process, Troyano ultimately writes a space for herself within these culture(s). (ICC
Miami, the capital of the Cuban diaspora, serves as the epicenter of the pain of nostalgia and the l...
This dissertation aims to actively approach melodramatic Latinx/Mexican productions as cultural mani...
PhD ThesisThis dissertation focuses primarily on controversial punk band ‘Porno Para Ricardo’, using...
Through the persona Carmelita Tropicana, Alina Troyano explores her Cuban, American, and queer ident...
This dissertation undertakes an analysis of Carmelita Tropicana’s body in performance as it enacts “...
“Locas al Rescate: The Transnational Hauntings of Queer Cubanidad” (originally published in Cuba Tra...
Based on fifteen months of ethnographic research, this dissertation explores how the latest politica...
In La hija de La Llorona, Teresa Dovalpage ushers in the latest development in Cuban theater written...
“Locas al Rescate: The Transnational Hauntings of Queer Cubanidad” (originally published in Cuba Tra...
Crossing Borders \u2799, the second CLAGS conference focusing on Latino/a queers, opened Thursday ev...
Over the last century, the LGBTQ+ community has occupied a peculiar space in Cuba that has both resi...
National communities have historically been imagined through heteronormative discourses. In Latin Am...
The primary purpose of this thesis is to offer an insight into family attitudes toward transgender e...
While pervasive through much of Cuban society, underground economies take on special significance wi...
In the Introduction to his first influential book, Disidentifications: Queers of Color and the Perfo...
Miami, the capital of the Cuban diaspora, serves as the epicenter of the pain of nostalgia and the l...
This dissertation aims to actively approach melodramatic Latinx/Mexican productions as cultural mani...
PhD ThesisThis dissertation focuses primarily on controversial punk band ‘Porno Para Ricardo’, using...
Through the persona Carmelita Tropicana, Alina Troyano explores her Cuban, American, and queer ident...
This dissertation undertakes an analysis of Carmelita Tropicana’s body in performance as it enacts “...
“Locas al Rescate: The Transnational Hauntings of Queer Cubanidad” (originally published in Cuba Tra...
Based on fifteen months of ethnographic research, this dissertation explores how the latest politica...
In La hija de La Llorona, Teresa Dovalpage ushers in the latest development in Cuban theater written...
“Locas al Rescate: The Transnational Hauntings of Queer Cubanidad” (originally published in Cuba Tra...
Crossing Borders \u2799, the second CLAGS conference focusing on Latino/a queers, opened Thursday ev...
Over the last century, the LGBTQ+ community has occupied a peculiar space in Cuba that has both resi...
National communities have historically been imagined through heteronormative discourses. In Latin Am...
The primary purpose of this thesis is to offer an insight into family attitudes toward transgender e...
While pervasive through much of Cuban society, underground economies take on special significance wi...
In the Introduction to his first influential book, Disidentifications: Queers of Color and the Perfo...
Miami, the capital of the Cuban diaspora, serves as the epicenter of the pain of nostalgia and the l...
This dissertation aims to actively approach melodramatic Latinx/Mexican productions as cultural mani...
PhD ThesisThis dissertation focuses primarily on controversial punk band ‘Porno Para Ricardo’, using...