The aim of the article is to present a synthetic conception of film narrative both in the theoretical and practical context. The author considers the subject in terms of film theory and history. He also examines features of film narrative by using both the synchronous and diachronic method.The aim of the article is to present a synthetic conception of film narrative both in the theoretical and practical context. The author considers the subject in terms of film theory and history. He also examines features of film narrative by using both the synchronous and diachronic method
In „Reading (from) Plants”, the oeuvre of Urszula Zajączkowska, specifically her films and poetry is...
In the opinion of the author the original context of the drama allows to treat.it in the perspectiv...
The aim of this article is to analyze the contexts of teaching in the film „Suicide room”. At the ou...
The aim of the article is to present a synthetic conception of film narrative both in the theoretica...
This article centres on the beginnings of the art of cinematography as viewed from a philosophical ...
A director’s analysis of the narrative layers in the film Medium allows one see, among other things,...
As the very title of Wojciech Staroń, a cinematographer and film director’s text “Documentary versus...
Comments on the Dramaturgy of DocumentariesThe paper aims at analyzing the relationship between dra...
On the example of the film version of Ashes (Popioły) by Stefan Żeromski directed by Andrzej Wajda i...
Hugo Münsterberg, a popularizer of psychology and author of the first comprehensive theory of film ...
This paper aims at providing an analysis of Krzysztof Kieślowski’s film No end (1984), focused mainl...
The article is an introduction to the dramaturgies in contemporary humanities and focuses on the pro...
In the article „Known and the unknown aspects of utopia, anti-utopia and dystopia in the works of wo...
The article aims at a critical explication of two attempts to frame the distorted sense of the real,...
While looking for similarities between science and the humanities, or reality and cultural texts, th...
In „Reading (from) Plants”, the oeuvre of Urszula Zajączkowska, specifically her films and poetry is...
In the opinion of the author the original context of the drama allows to treat.it in the perspectiv...
The aim of this article is to analyze the contexts of teaching in the film „Suicide room”. At the ou...
The aim of the article is to present a synthetic conception of film narrative both in the theoretica...
This article centres on the beginnings of the art of cinematography as viewed from a philosophical ...
A director’s analysis of the narrative layers in the film Medium allows one see, among other things,...
As the very title of Wojciech Staroń, a cinematographer and film director’s text “Documentary versus...
Comments on the Dramaturgy of DocumentariesThe paper aims at analyzing the relationship between dra...
On the example of the film version of Ashes (Popioły) by Stefan Żeromski directed by Andrzej Wajda i...
Hugo Münsterberg, a popularizer of psychology and author of the first comprehensive theory of film ...
This paper aims at providing an analysis of Krzysztof Kieślowski’s film No end (1984), focused mainl...
The article is an introduction to the dramaturgies in contemporary humanities and focuses on the pro...
In the article „Known and the unknown aspects of utopia, anti-utopia and dystopia in the works of wo...
The article aims at a critical explication of two attempts to frame the distorted sense of the real,...
While looking for similarities between science and the humanities, or reality and cultural texts, th...
In „Reading (from) Plants”, the oeuvre of Urszula Zajączkowska, specifically her films and poetry is...
In the opinion of the author the original context of the drama allows to treat.it in the perspectiv...
The aim of this article is to analyze the contexts of teaching in the film „Suicide room”. At the ou...