Add to ORKGThe aim of this paper is to analyze the reception of the myth of Dido and Creusa in the Didone, Opera in three acts by Busenello-Cavalli (Venice 1641). The episode of the appearance of Creusa in the opera shows similarities to the Virgilian text, whereas the librettist creatively rewrites the epilogue of Dido’s story. A final marriage between the queen of Carthage and Iarba, king of Getuli, gives the tale a happy ending, which is completely different from the tragic context of the Aeneid
RODRIGUES, Natália Vasconcelos. A representação de Dido e o discurso feminino na épica e na elegia. ...
René Martin : Dido and .Eneas on stage or how to use leftovers. The last French tragedies inspired ...
With Didon, Piccinni demonstrated his ability to combine both Italian and French styles to create a ...
The aim of this paper is to analyze the reception of the myth of Dido and Creusa in the Didone, Oper...
The aim of this paper is to analyze the rewriting of Dido’s myth by Giovan Battista Busenello, the l...
On the basis of an innate predisposition to tragic reading, already well established by ancient and ...
In several of his works, Boccaccio dedicates a whole chapter to the queen of Carthage: we meet Dido ...
Didone was the second significant operatic project carried out by the librettist Busenello and the c...
Il saggio propone nuove interpretazione dell'uso simbolico delle metafore nella poesia virgiliana e ...
25 p. : il. -- Bibliogr.: p. 23-24The Aeneid by Virgil has been admired and continually imitated alo...
The text is an analysis of the story of Dido as shown in Virgil’s Aeneid. The author presents pre-Vi...
The essay investigates some of the most significant aspects of the use of Greek fontes in Virgil’s e...
'Following Aeneas' is a behavioural motive present in the scenes of Creusa's and Dido's death in the...
Il volume propone una nuova edizione della prima tragedia di Christopher Marlowe, Dido, Queene of Ca...
The contribution aims at showing how the same “revisionism” attested in Greek tradition about Homer ...
RODRIGUES, Natália Vasconcelos. A representação de Dido e o discurso feminino na épica e na elegia. ...
René Martin : Dido and .Eneas on stage or how to use leftovers. The last French tragedies inspired ...
With Didon, Piccinni demonstrated his ability to combine both Italian and French styles to create a ...
The aim of this paper is to analyze the reception of the myth of Dido and Creusa in the Didone, Oper...
The aim of this paper is to analyze the rewriting of Dido’s myth by Giovan Battista Busenello, the l...
On the basis of an innate predisposition to tragic reading, already well established by ancient and ...
In several of his works, Boccaccio dedicates a whole chapter to the queen of Carthage: we meet Dido ...
Didone was the second significant operatic project carried out by the librettist Busenello and the c...
Il saggio propone nuove interpretazione dell'uso simbolico delle metafore nella poesia virgiliana e ...
25 p. : il. -- Bibliogr.: p. 23-24The Aeneid by Virgil has been admired and continually imitated alo...
The text is an analysis of the story of Dido as shown in Virgil’s Aeneid. The author presents pre-Vi...
The essay investigates some of the most significant aspects of the use of Greek fontes in Virgil’s e...
'Following Aeneas' is a behavioural motive present in the scenes of Creusa's and Dido's death in the...
Il volume propone una nuova edizione della prima tragedia di Christopher Marlowe, Dido, Queene of Ca...
The contribution aims at showing how the same “revisionism” attested in Greek tradition about Homer ...
RODRIGUES, Natália Vasconcelos. A representação de Dido e o discurso feminino na épica e na elegia. ...
René Martin : Dido and .Eneas on stage or how to use leftovers. The last French tragedies inspired ...
With Didon, Piccinni demonstrated his ability to combine both Italian and French styles to create a ...
