Sign of the Times, curated by Chrissie Iles, offered a unique overview of a decade of moving image work by two generations of British film and video artists. The exhibition, which toured to Europe through the British Council, is the first of many important shows that took place at the Museum of Modern Art, Oxford during the 1990s. Iles presented the exhibition in two parts and each piece was configured either as a single room installation or placed in relationship to other works in a large open space. Her emphasis was therefore on the manifestation of video as an experiential interface, rather than as a medium isolated from context, as its purists at the time would maintain. Marie-Anne McQua
Since the 1990s, a “cinematographic turn” has supposedly taken place in contemporary art paralleled ...
This article addresses how and why video art shaped the museum environment for the 21st century. The...
These performances were commissioned and funded by Arts Council England as a series of events to exp...
Curated by Chrissie Iles for the Museum of Modern Art, Oxford in 1990, Sign of the Times toured to E...
Exhibition: The Time is Right for... Exhibition, Summerhall, Edinburgh, 2 August - 24 September 2017...
SIGLEAvailable from British Library Document Supply Centre- DSC:q91/20163(Signs) / BLDSC - British L...
First Memory (1980) will be re-mounted in its original medium of slide-tape with two screens. ‘...
I curated this group exhibition in collaboration with Glasgow-based art's organisation The Common Gu...
Tate Britain 19 May 2003 – 1 April 2004 The use of film and video by artists in Britain over the pas...
The exhibition, ‘Hilary Lloyd’, consisted of five new works [Motorway (2010), Trousers (2010), Man (...
Billingham's early video piece 'Tony Smoking Backwards', 4min, 1999 was exhibited in the group show ...
Mood Organ is a video projection work developed from O’Neill’s research around the reciprocal dynami...
Programme of new video work from Great Britain, involving a curated selection of artists
A single screen video projection was installed at Tate Britain as part of the group exhibition, A Ce...
This is an exhibition catalogue for an exhibition of the same name held at The University of Westmin...
Since the 1990s, a “cinematographic turn” has supposedly taken place in contemporary art paralleled ...
This article addresses how and why video art shaped the museum environment for the 21st century. The...
These performances were commissioned and funded by Arts Council England as a series of events to exp...
Curated by Chrissie Iles for the Museum of Modern Art, Oxford in 1990, Sign of the Times toured to E...
Exhibition: The Time is Right for... Exhibition, Summerhall, Edinburgh, 2 August - 24 September 2017...
SIGLEAvailable from British Library Document Supply Centre- DSC:q91/20163(Signs) / BLDSC - British L...
First Memory (1980) will be re-mounted in its original medium of slide-tape with two screens. ‘...
I curated this group exhibition in collaboration with Glasgow-based art's organisation The Common Gu...
Tate Britain 19 May 2003 – 1 April 2004 The use of film and video by artists in Britain over the pas...
The exhibition, ‘Hilary Lloyd’, consisted of five new works [Motorway (2010), Trousers (2010), Man (...
Billingham's early video piece 'Tony Smoking Backwards', 4min, 1999 was exhibited in the group show ...
Mood Organ is a video projection work developed from O’Neill’s research around the reciprocal dynami...
Programme of new video work from Great Britain, involving a curated selection of artists
A single screen video projection was installed at Tate Britain as part of the group exhibition, A Ce...
This is an exhibition catalogue for an exhibition of the same name held at The University of Westmin...
Since the 1990s, a “cinematographic turn” has supposedly taken place in contemporary art paralleled ...
This article addresses how and why video art shaped the museum environment for the 21st century. The...
These performances were commissioned and funded by Arts Council England as a series of events to exp...