Adopting a cognitive perspective, this article presents how choreography is a fundamental part of teaching and why teaching can be considered a performance. It opens with a description of choreography as a cognitive process of planning and reflection about the pedagogical choices to make in the classroom, that can eventually materialise in the actual lesson. It describes the choreographic presence of the teacher, involuntary when teachers are not aware of their body language, and performative when they opt for teaching methodologies based on performance. Adopting performative choreographic techniques in the classroom sustains embodied learning at different levels, increasing multi-modal, affective and aesthetic engagement. The article provi...
In an attempt to understand, holistically, how teachers make sense of their classrooms and how they ...
The theme explained in this study, with the purpose of composing the Doctoral Thesis consisted in th...
In this study, we consider experiential learning in relation to embodiment and performative practice...
Adopting a cognitive perspective, this article presents how choreography is a fundamental part of te...
The article presents the author’s own teaching method, learner as a cultural actor, used on elective...
Re-thinking the idea of scholarly life regarding teacher education means to critically examine the s...
Teaching performatively is an art that must be honed and developed through sustained practice. In th...
Performative Pedagogy is a philosophical essay on dance telling of the necessity to reintegrate dan...
Identify and describe teaching practice is not an easy task. Current educational research...
<p></p><p>ABSTRACT The article analyzes questions that have emerged from the experiments carried out...
The body is central to all human interaction and is literally the instrument through which teachers ...
This contribution is part of the theoretical framework that interprets theater, the performance art ...
Abstract: This article is about contemporary dance solo productions which have been called choreogra...
How did we kill the curiosity to learn? A sea of jaded faces urged me to develop my own creativity-...
Class/Act: Embodied Practices for Performative Pedagogy is a personal and practical exploration of e...
In an attempt to understand, holistically, how teachers make sense of their classrooms and how they ...
The theme explained in this study, with the purpose of composing the Doctoral Thesis consisted in th...
In this study, we consider experiential learning in relation to embodiment and performative practice...
Adopting a cognitive perspective, this article presents how choreography is a fundamental part of te...
The article presents the author’s own teaching method, learner as a cultural actor, used on elective...
Re-thinking the idea of scholarly life regarding teacher education means to critically examine the s...
Teaching performatively is an art that must be honed and developed through sustained practice. In th...
Performative Pedagogy is a philosophical essay on dance telling of the necessity to reintegrate dan...
Identify and describe teaching practice is not an easy task. Current educational research...
<p></p><p>ABSTRACT The article analyzes questions that have emerged from the experiments carried out...
The body is central to all human interaction and is literally the instrument through which teachers ...
This contribution is part of the theoretical framework that interprets theater, the performance art ...
Abstract: This article is about contemporary dance solo productions which have been called choreogra...
How did we kill the curiosity to learn? A sea of jaded faces urged me to develop my own creativity-...
Class/Act: Embodied Practices for Performative Pedagogy is a personal and practical exploration of e...
In an attempt to understand, holistically, how teachers make sense of their classrooms and how they ...
The theme explained in this study, with the purpose of composing the Doctoral Thesis consisted in th...
In this study, we consider experiential learning in relation to embodiment and performative practice...