This article examines the theories of the power of ancient music and the superiority of the sense of hearing proposed by Girolamo Cardano in his De subtilitate and Julius Caesar Scaliger's critique of these views in his Exercitationes exotericae de subtilitate. Despite Scaliger's rejection of Cardano's claim that he had successfully revealed the "subtle" nature of the sense of hearing and the innate harmony between music and the passions, both thinkers are shown to conduct their debate in one and the same inherited discourse in which new theories were shaped about music, what it does, or what it should do
This paper aims to develop some epistemological reflections about music theory as a peculiar item in...
The aim of the article is to answer the question whether there are any connections between Bruno Sch...
This article explores the works of Cesare Lombroso on the man of genius and his relationships with i...
This article examines the theories of the power of ancient music and the superiority of the sense of...
This chapter explores the Renaissance debate on the relationship between music, mind, soul and well-...
The paper provides a brief overview concerning what survives of Hellenistic theoretical reflections ...
This article examines the path that leads girolamo cardano (1501-1576) to write and publish the De s...
Since the Renaissance, the normative approach to a philosophy of music has concerned itself primaril...
This article revaluates the significance of musical treatises written by the Ficinian physician Robe...
The article examines the discussions about the use and knowledge of polyphony in ancient music which...
This work discusses the Hellenistic origin of some concepts underlying modern harmonic science. The ...
Abstract-This article provides an overview of the theoretical underpinnings of the Tomatis Method, a...
In Music and the Myth of Arcadia in Renaissance Italy, Giuseppe Gerbino situates the pastoral as a v...
Claudio Monteverdi between the prisca philosophia and the Defence of the Modern Music · Monteverdi’...
The contribution highlights as in the epistolary correspondence regarding vices and virtues...
This paper aims to develop some epistemological reflections about music theory as a peculiar item in...
The aim of the article is to answer the question whether there are any connections between Bruno Sch...
This article explores the works of Cesare Lombroso on the man of genius and his relationships with i...
This article examines the theories of the power of ancient music and the superiority of the sense of...
This chapter explores the Renaissance debate on the relationship between music, mind, soul and well-...
The paper provides a brief overview concerning what survives of Hellenistic theoretical reflections ...
This article examines the path that leads girolamo cardano (1501-1576) to write and publish the De s...
Since the Renaissance, the normative approach to a philosophy of music has concerned itself primaril...
This article revaluates the significance of musical treatises written by the Ficinian physician Robe...
The article examines the discussions about the use and knowledge of polyphony in ancient music which...
This work discusses the Hellenistic origin of some concepts underlying modern harmonic science. The ...
Abstract-This article provides an overview of the theoretical underpinnings of the Tomatis Method, a...
In Music and the Myth of Arcadia in Renaissance Italy, Giuseppe Gerbino situates the pastoral as a v...
Claudio Monteverdi between the prisca philosophia and the Defence of the Modern Music · Monteverdi’...
The contribution highlights as in the epistolary correspondence regarding vices and virtues...
This paper aims to develop some epistemological reflections about music theory as a peculiar item in...
The aim of the article is to answer the question whether there are any connections between Bruno Sch...
This article explores the works of Cesare Lombroso on the man of genius and his relationships with i...