© 2017 Dr. Yu Su ChengThis practice-based creative PhD project consists of a 135-minute PhD essay film and a context-driven dissertation, to demonstrate a research outcome for a relational, non-duality, improvisational, reflexive and formless filmmaking of “right now, right here” in the everyday world. This is an exposition which reflects a Buddhist framing of “each moment is the universe” as explored through 20 months of fieldwork and film production in the Tibetan Buddhist community of Yumbulakhang of China. The research showcases a process of filmmaking that emerges through a process of limitlessness to accommodate a possible film becoming, within and across a spectrum of key references, including Jean Rouch, Nathaniel Dorsky, Karl Heide...
Making nothing out of something: emptiness, embodiment, and creative activity presents an anthology...
This article examines the filmmaking of writer and director Khyentse Norbu (Dzongsar Jamyang Khyents...
This dissertation examines a range of durational cinematic experiments in post-1980s China and Taiwa...
This is an extract from a Masters study describing my exploration of the art of film as an inner awa...
This is a Digita Filmmaking project from the School of Arts, Design and Media. The purpose of the fi...
This is a Digita Filmmaking project from the School of Arts, Design and Media. The purpose of the fi...
In this essay, I discuss the evolution of my approach to creating Buddhist contemplative cinema. I b...
(De)contextualising Buddhist Aesthetics is a practice-led artistic research project focusing on the ...
Since its beginnings, one of the recurring components of the annual Jean Rouch International Film Fe...
This is a Digita Filmmaking project from the School of Arts, Design, and Media. The purpose of the f...
Purpose of the Project:\ud Tibet: Spirit in Chains is a documentary about the difficulties Tibetans ...
A tour de force chronicling the development of realism in Chinese cinema The history of Chinese cin...
This thesis exhibition, How Calm the Ocean, features my long-term video project, Dukkha, along with ...
This project explores first person DV documentary filmmaking practice in China in the first decade o...
Through its mandala-like structure, Why Has Bodhi-Dharma Left for the East? (Korea, 2007) provides a...
Making nothing out of something: emptiness, embodiment, and creative activity presents an anthology...
This article examines the filmmaking of writer and director Khyentse Norbu (Dzongsar Jamyang Khyents...
This dissertation examines a range of durational cinematic experiments in post-1980s China and Taiwa...
This is an extract from a Masters study describing my exploration of the art of film as an inner awa...
This is a Digita Filmmaking project from the School of Arts, Design and Media. The purpose of the fi...
This is a Digita Filmmaking project from the School of Arts, Design and Media. The purpose of the fi...
In this essay, I discuss the evolution of my approach to creating Buddhist contemplative cinema. I b...
(De)contextualising Buddhist Aesthetics is a practice-led artistic research project focusing on the ...
Since its beginnings, one of the recurring components of the annual Jean Rouch International Film Fe...
This is a Digita Filmmaking project from the School of Arts, Design, and Media. The purpose of the f...
Purpose of the Project:\ud Tibet: Spirit in Chains is a documentary about the difficulties Tibetans ...
A tour de force chronicling the development of realism in Chinese cinema The history of Chinese cin...
This thesis exhibition, How Calm the Ocean, features my long-term video project, Dukkha, along with ...
This project explores first person DV documentary filmmaking practice in China in the first decade o...
Through its mandala-like structure, Why Has Bodhi-Dharma Left for the East? (Korea, 2007) provides a...
Making nothing out of something: emptiness, embodiment, and creative activity presents an anthology...
This article examines the filmmaking of writer and director Khyentse Norbu (Dzongsar Jamyang Khyents...
This dissertation examines a range of durational cinematic experiments in post-1980s China and Taiwa...