No Woman is an Island is an ambitious group exhibition of Australian artists that focuses on female experience through the conceptual framework of the ‘female gaze’. Through the eyes of women artists, the exhibition explores the shift in perception that comes with different ages and phases of life. The artists engage diverse practices to touch on a an array of relationships to womanhood and also explore the theme of woman as Object vs Subject – thereby challenging, complicating, and confronting the traditional notion of a ‘male gaze’ in art
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
The text is an attempt at looking at the art project Brides on Tour from the perspective of the no...
© 1992 Cherry TennantAdapting the words of Judith Allen, in order to understand the present for wome...
Nochlin‘s 1971 essay Why Have There Been No Great Women Artists? highlighted the barriers that women...
The past five years have seen a reinvigoration of debate regarding the significance and impact of mo...
© Feminist StudiesFeatures the art of Australian indigenous women. Documentation of the religious li...
Something about the apparent romanticism of islands prompts creative reflections such as those compr...
In the 20th century art market, women’s Aboriginal art was perceived as something insignificant and ...
The exhibition THIS IS NOT THE WORK surveyed a selection of community-engaged artist projects from d...
A show of paintings and poster-prints including ‘I Choose Painting’ (see ‘Akerman Daly 'artist in re...
From the website: Neverwhere will present the work of eight significant contemporary Australian arti...
This chapter focuses on women and their artwork. The work of women artists may be constrained by v...
The European Society for Nineteenth-Century Art (ESNA) organizes its annual conference. Rephrasing J...
 "This new installation from Deep Water /Aqua Profunda (the original, a 6 screen w...
(Un)Natural Urges was a joint exhibition with Merri Randell at Brenda May Galleries in Sydney in 201...
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
The text is an attempt at looking at the art project Brides on Tour from the perspective of the no...
© 1992 Cherry TennantAdapting the words of Judith Allen, in order to understand the present for wome...
Nochlin‘s 1971 essay Why Have There Been No Great Women Artists? highlighted the barriers that women...
The past five years have seen a reinvigoration of debate regarding the significance and impact of mo...
© Feminist StudiesFeatures the art of Australian indigenous women. Documentation of the religious li...
Something about the apparent romanticism of islands prompts creative reflections such as those compr...
In the 20th century art market, women’s Aboriginal art was perceived as something insignificant and ...
The exhibition THIS IS NOT THE WORK surveyed a selection of community-engaged artist projects from d...
A show of paintings and poster-prints including ‘I Choose Painting’ (see ‘Akerman Daly 'artist in re...
From the website: Neverwhere will present the work of eight significant contemporary Australian arti...
This chapter focuses on women and their artwork. The work of women artists may be constrained by v...
The European Society for Nineteenth-Century Art (ESNA) organizes its annual conference. Rephrasing J...
 "This new installation from Deep Water /Aqua Profunda (the original, a 6 screen w...
(Un)Natural Urges was a joint exhibition with Merri Randell at Brenda May Galleries in Sydney in 201...
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
The text is an attempt at looking at the art project Brides on Tour from the perspective of the no...
© 1992 Cherry TennantAdapting the words of Judith Allen, in order to understand the present for wome...