Add to ORKGCopyright confirmation in progress. Any queries to UMER-enquiries@unimelb.edu.auThis article examines the contemporary crime film's reimagination of urban space. Through a case study of selected films by Michael Mann, it argues that the extreme stylisation of certain postmodern crime texts functions to aestheticise the industrial infrastructure of late capitalism, and that the genre offers a visual training through which generic sites of commerce, transit and industry (non-place) may be personalised, rendered habitable, and potentially reclaimed
Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminolo...
Urban and domestic spaces are at the core of the American film noir developed in the 1940s and 50s. ...
By focusing on what I call the urban dystopia, this dissertation uses cultural, social, and economic...
The relationship between crime narratives and generic urban space is the central concern of this art...
This study contends that the spaces where crime occurs in films are not neutral; they are layered wi...
The discourse surrounding digital technology in popular film has usually focused on computer-generat...
Noir and the Urban Imaginary is creative practice based PhD research comprising critical analysis (4...
This study investigates the cinematic representation of city crime transactions in Chicago in the 19...
City Limits contributes to a growing body of work under the umbrella of 'cultural criminology', whic...
This article looks at what I call the ‘normal space’ in crime fiction—a normative vision of society ...
In the 1970s, cities across the United States and Western Europe faced a deep social and political c...
This book combines film studies with urban theory in a spatial exploration of twentieth century Los ...
In a career spanning over thirty years and twelve films (and with his thirteenth currently in produc...
Nine previously unpublished essays form an interdisciplinary assessment of urban memory in the moder...
"This book investigates street art and graffiti as cultural practices at the borders of legality and...
Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminolo...
Urban and domestic spaces are at the core of the American film noir developed in the 1940s and 50s. ...
By focusing on what I call the urban dystopia, this dissertation uses cultural, social, and economic...
The relationship between crime narratives and generic urban space is the central concern of this art...
This study contends that the spaces where crime occurs in films are not neutral; they are layered wi...
The discourse surrounding digital technology in popular film has usually focused on computer-generat...
Noir and the Urban Imaginary is creative practice based PhD research comprising critical analysis (4...
This study investigates the cinematic representation of city crime transactions in Chicago in the 19...
City Limits contributes to a growing body of work under the umbrella of 'cultural criminology', whic...
This article looks at what I call the ‘normal space’ in crime fiction—a normative vision of society ...
In the 1970s, cities across the United States and Western Europe faced a deep social and political c...
This book combines film studies with urban theory in a spatial exploration of twentieth century Los ...
In a career spanning over thirty years and twelve films (and with his thirteenth currently in produc...
Nine previously unpublished essays form an interdisciplinary assessment of urban memory in the moder...
"This book investigates street art and graffiti as cultural practices at the borders of legality and...
Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminolo...
Urban and domestic spaces are at the core of the American film noir developed in the 1940s and 50s. ...
By focusing on what I call the urban dystopia, this dissertation uses cultural, social, and economic...