The last missing quarter of La pose enchantée, a 1927 Magritte’s oil painting disappeared in 1932, has been finally found beneath Dieu n’est pas un saint, picture painted by the Belgian surrealist between 1935 and 1936, conserved at the Brussels Magritte Museum (Royal Museums of Fine Arts of Belgium) (inv. 11681). The in-depth study conducted on Dieu n’est pas un saint by means of non-invasive and complementary imaging and analytical techniques has allowed formulating substantiated conclusions regarding this double painting. On the one hand, the routine imaging methods, including XRR, IRR and digital microscopy, have delivered a comprehensive outcome regarding the transformation process of the right top part of La pose enchantée into the cu...
The material study of La Famille Soler through non-invasive imaging, molecular, structural and eleme...
In 2014, a painting attributed to the seventeenth century Dutch artist Jan Ruyscher appeared on the...
The conservation of contemporary art often offers unique occasions to study complex multi-material a...
Abstract The last missing quarter of La pose enchantée, a 1927 Magritte’s oil painting disappeared i...
peer reviewedThe research project, Magritte on practice, consists of the systematic study of the wor...
Abstract Magritte’s composition La condition humaine, 1935 was found to conceal under its paint laye...
peer reviewedPainted in 1925 or 1926, over an older composition, La salle d'armes, is among the firs...
In accordance with the general topic of GCI series, this book stemming from the research project Mag...
peer reviewedOne of the two missing canvases from L’évidence éternelle of 1954, the one of the feet,...
In the frame of the on-going research project Magritte on practice, the sixty-three paintings from t...
peer reviewedThe history of technical art offers the means to apprehend the personality of an artist...
The radiography performed on the painting There Is No Yes without a No—The Hermit (1985) by António ...
The study of La Famille Soler using non-invasive imaging, molecular, structural, and elemental analy...
The Portrait de Suzanne Bambridge (1891) is the first oil painting executed by Paul Gauguin (1848–19...
This article focuses on the conservation history and recent treatment (2016-2018) of the newly acqui...
The material study of La Famille Soler through non-invasive imaging, molecular, structural and eleme...
In 2014, a painting attributed to the seventeenth century Dutch artist Jan Ruyscher appeared on the...
The conservation of contemporary art often offers unique occasions to study complex multi-material a...
Abstract The last missing quarter of La pose enchantée, a 1927 Magritte’s oil painting disappeared i...
peer reviewedThe research project, Magritte on practice, consists of the systematic study of the wor...
Abstract Magritte’s composition La condition humaine, 1935 was found to conceal under its paint laye...
peer reviewedPainted in 1925 or 1926, over an older composition, La salle d'armes, is among the firs...
In accordance with the general topic of GCI series, this book stemming from the research project Mag...
peer reviewedOne of the two missing canvases from L’évidence éternelle of 1954, the one of the feet,...
In the frame of the on-going research project Magritte on practice, the sixty-three paintings from t...
peer reviewedThe history of technical art offers the means to apprehend the personality of an artist...
The radiography performed on the painting There Is No Yes without a No—The Hermit (1985) by António ...
The study of La Famille Soler using non-invasive imaging, molecular, structural, and elemental analy...
The Portrait de Suzanne Bambridge (1891) is the first oil painting executed by Paul Gauguin (1848–19...
This article focuses on the conservation history and recent treatment (2016-2018) of the newly acqui...
The material study of La Famille Soler through non-invasive imaging, molecular, structural and eleme...
In 2014, a painting attributed to the seventeenth century Dutch artist Jan Ruyscher appeared on the...
The conservation of contemporary art often offers unique occasions to study complex multi-material a...