This paper discusses the identity constructions of the Coptic Christian minority of Egypt during conflict and in particular through the theme of commemoration of martyrdom. In the aftermath of the attacks against them on October 9, 2011, (what is known as the "Maspero Massacre") Coptic social movements resorted to performative protests to celebrate their "martyrs". This paper analyses the visual representations of two such protests and examines how different themes and symbols from different traditions were used: Coptic Christian, Pharaonic and as well as nationalist Egyptian traditions. This paper argues that through these performances members of the community aimed to reconstruct and reassert their identity in public space as well produce...
The 25 January 2011 revolution in Egypt was the stage upon which both the people and new political s...
Governments have long used public art and monuments to characterize and legitimize their regimes. Th...
This dissertation explores Coptic Orthodox political (dis)engagement through song, particularly as i...
This paper discusses the identity constructions of the Coptic Christian minority of Egypt during con...
This dissertation is aimed to better understand the multifaceted and contested narratives of the 201...
What role(s) do minority media play in democratization conflicts involving the transformation of cit...
In the case of Egypt’s Coptic Orthodox Christians, the application of the minority label, especially...
Scholars of Egyptian history and politics face a dearth of analytical studies of the modern Coptic C...
It was not so long ago that the eyes of the world were transfixed on Tahrir Square, the epicentre of...
Based upon archival sources and a multi-sited ethnography in Cairo conducted during the revolutionar...
The Copts of Egypt, who consist of 10-15 per cent of the population, have traditionally been viewed ...
o Réalisation : Jean-Christophe Besset o Institut d’Etudes Europénnes - Recherche et Etudes en Polit...
This book examines the escalation in religious violence in Egypt since 2005 and the public discourse...
The outbreak of the Arab Spring and the subsequent overthrow of Mubarak in 2011 gave way to the ris...
During the fifties and the sixties, the Christian Copts, who at the time made up only about 9% of th...
The 25 January 2011 revolution in Egypt was the stage upon which both the people and new political s...
Governments have long used public art and monuments to characterize and legitimize their regimes. Th...
This dissertation explores Coptic Orthodox political (dis)engagement through song, particularly as i...
This paper discusses the identity constructions of the Coptic Christian minority of Egypt during con...
This dissertation is aimed to better understand the multifaceted and contested narratives of the 201...
What role(s) do minority media play in democratization conflicts involving the transformation of cit...
In the case of Egypt’s Coptic Orthodox Christians, the application of the minority label, especially...
Scholars of Egyptian history and politics face a dearth of analytical studies of the modern Coptic C...
It was not so long ago that the eyes of the world were transfixed on Tahrir Square, the epicentre of...
Based upon archival sources and a multi-sited ethnography in Cairo conducted during the revolutionar...
The Copts of Egypt, who consist of 10-15 per cent of the population, have traditionally been viewed ...
o Réalisation : Jean-Christophe Besset o Institut d’Etudes Europénnes - Recherche et Etudes en Polit...
This book examines the escalation in religious violence in Egypt since 2005 and the public discourse...
The outbreak of the Arab Spring and the subsequent overthrow of Mubarak in 2011 gave way to the ris...
During the fifties and the sixties, the Christian Copts, who at the time made up only about 9% of th...
The 25 January 2011 revolution in Egypt was the stage upon which both the people and new political s...
Governments have long used public art and monuments to characterize and legitimize their regimes. Th...
This dissertation explores Coptic Orthodox political (dis)engagement through song, particularly as i...