The aim of this research project was to better understand the values, attributes and practices of dance artists who develop the potential of disabled young dancers. Stopgap Dance Company commissioned researchers at the University of Bedfordshire to explore the range of qualities that highly experienced dance artists demonstrate in their practice, particularly in the context of dance talent development. In order to meet these aims, observations and interviews were conducted with six established contemporary dance artists who work in inclusive settings. Analysis revealed common characteristics in how and why artists go about their work with disabled people
This paper addresses the accessibility of dance and performer training for peo- ple with disabilitie...
Little is known about the subjective wellbeing (SWB) of young dancers with disabilities and whether ...
Little is known about the subjective wellbeing (SWB) of young dancers with disabilities and whether ...
There is a paucity of research focused on understanding the qualities which underpin dance artists’ ...
There are few opportunities for young disabled dancers to develop their talents, and even fewer stud...
Recent decades have seen a promising shift towards a dance sector that encourages, values, and ackno...
Among the numerous barriers to dance for disabled people, one of the key challenges in the UK has be...
The aim of this project was to investigate means of translating Imperial Society of Teachers of Danc...
The lack of systematic training available for young dancers with disabilities has previously present...
Professional training opportunities for students with physical and learning disabilities in the perf...
Dance is a viable and enjoyable activity – and potential career – for young people with disabilities...
In the 1980s, mixed ability or physically integrated dance companies, such as AXIS and Dancing Wheel...
Combining disability and dance may not be new, yet enacting inclusive dance/drama education in a uni...
This study aims to explore how interaction with the performing arts could facilitate the participati...
This paper addresses the accessibility of dance and performer training for people with disabilities,...
This paper addresses the accessibility of dance and performer training for peo- ple with disabilitie...
Little is known about the subjective wellbeing (SWB) of young dancers with disabilities and whether ...
Little is known about the subjective wellbeing (SWB) of young dancers with disabilities and whether ...
There is a paucity of research focused on understanding the qualities which underpin dance artists’ ...
There are few opportunities for young disabled dancers to develop their talents, and even fewer stud...
Recent decades have seen a promising shift towards a dance sector that encourages, values, and ackno...
Among the numerous barriers to dance for disabled people, one of the key challenges in the UK has be...
The aim of this project was to investigate means of translating Imperial Society of Teachers of Danc...
The lack of systematic training available for young dancers with disabilities has previously present...
Professional training opportunities for students with physical and learning disabilities in the perf...
Dance is a viable and enjoyable activity – and potential career – for young people with disabilities...
In the 1980s, mixed ability or physically integrated dance companies, such as AXIS and Dancing Wheel...
Combining disability and dance may not be new, yet enacting inclusive dance/drama education in a uni...
This study aims to explore how interaction with the performing arts could facilitate the participati...
This paper addresses the accessibility of dance and performer training for people with disabilities,...
This paper addresses the accessibility of dance and performer training for peo- ple with disabilitie...
Little is known about the subjective wellbeing (SWB) of young dancers with disabilities and whether ...
Little is known about the subjective wellbeing (SWB) of young dancers with disabilities and whether ...