This is the final version of the article. Available from the publisher via the link in this record.Academic interest in musical improvisation has increased signifcantly in recent years. This is evidenced not only by the increasing number of publications focused on improvisation, but also by the growing number of improvisers to have received academic appointments at major universities. In this essay, I examine the changing historical relationships between musical improvisation and the academy, as well as some of the implications of those relationships for both the academy and the feld of musical improvisation itself
Exploring how western classical musicians could develop their aural, improvisatory and creative musi...
© 2012 Mark Fairlie DipnallImprovisation has been an integral component of music practice throughout...
This article explores the contentious position of improvisation in the contemporary Baroque music re...
This is the final version of the article. Available from the publisher via the link in this record.T...
This is the final version of the article. Available from the publisher via the link in this record.I...
This article focuses primarily on improvisation in the arts as discussed in philosophical aesthetics...
This is the final version of the article. Available from the publisher via the link in this record.T...
This is the final version of the article. Available from the publisher via the link in this record.I...
This article explores how group playing by ear (GEP) through imitation of recorded material and oppo...
This is the final version of the article. Available from the publisher via the link in this record.T...
Improvisation is a way of knowing that is experiential, pivotal to the body's movement and growth in...
This article proposes to identify aesthetic currents and key events that affected music instrumental...
In this essay the first initiatives are presented to come to a new theoretical approach of musical i...
Elements of musical improvisation have been present throughout the medieval, renaissance, and baroqu...
Improvisation is a practice as old as music; the laptop orchestra possibly the newest of ensembles. ...
Exploring how western classical musicians could develop their aural, improvisatory and creative musi...
© 2012 Mark Fairlie DipnallImprovisation has been an integral component of music practice throughout...
This article explores the contentious position of improvisation in the contemporary Baroque music re...
This is the final version of the article. Available from the publisher via the link in this record.T...
This is the final version of the article. Available from the publisher via the link in this record.I...
This article focuses primarily on improvisation in the arts as discussed in philosophical aesthetics...
This is the final version of the article. Available from the publisher via the link in this record.T...
This is the final version of the article. Available from the publisher via the link in this record.I...
This article explores how group playing by ear (GEP) through imitation of recorded material and oppo...
This is the final version of the article. Available from the publisher via the link in this record.T...
Improvisation is a way of knowing that is experiential, pivotal to the body's movement and growth in...
This article proposes to identify aesthetic currents and key events that affected music instrumental...
In this essay the first initiatives are presented to come to a new theoretical approach of musical i...
Elements of musical improvisation have been present throughout the medieval, renaissance, and baroqu...
Improvisation is a practice as old as music; the laptop orchestra possibly the newest of ensembles. ...
Exploring how western classical musicians could develop their aural, improvisatory and creative musi...
© 2012 Mark Fairlie DipnallImprovisation has been an integral component of music practice throughout...
This article explores the contentious position of improvisation in the contemporary Baroque music re...