Cultural heritage artefacts act as a gateway helping people learn about their social traditions and history. However, preserving these artefacts faces many difficulties, including potential destruction or damage from global warming, wars and conflicts, and degradation from day-to-day use. In addition, artefacts can only be present in one place at a time, and many of them can not be exhibited due to the limited physical space of museums. The digital domain offers opportunities to capture and represent the form and texture of these artefacts and to overcome the previously mentioned constraints by allowing people to access and interact with them on multiple platforms (mobile devices, tablets and personal computers) and network regimes. Through...
3D digitization of cultural heritage has long been used to preserve information about cultural herit...
Small communities are often groups whose traditions and history are preserved long since: being some...
In this paper I will pose a challenge to digital heritage visualisation that takes as its starting p...
Cultural heritage artefacts act as a gateway helping people learn about their social traditions and ...
The 3D Web emerged as an agglomeration of technologies that brought the third dimension to the World...
Visualisation of cultural heritage using 3D modelling in situ or over the Internet has increased in ...
3D visualisations –including 3D scans and 3D reconstructions–designed as part of larger archaeology,...
Increasingly, museum objects are documented as 3D digital models (3dDM) for scientific study, online...
Museums have been increasingly investing in their digital presence. This became more pressing during...
The core mission of museums and cultural institutions is the preservation, study and presentation of...
Any form of use of virtual reality or augmented reality in history and archaeology is based on 3D di...
Recent years have seen the development of many new ways for cultural heritage visualization; with th...
Digital heritage projects are an important tool in safeguarding cultural heritage and making it avai...
In this paper, we present two experiments designed to compare 2D digital pictures and 3D digital rep...
none1noIn the Cultural Heritage field, thanks to the recent development of digital technologies, a l...
3D digitization of cultural heritage has long been used to preserve information about cultural herit...
Small communities are often groups whose traditions and history are preserved long since: being some...
In this paper I will pose a challenge to digital heritage visualisation that takes as its starting p...
Cultural heritage artefacts act as a gateway helping people learn about their social traditions and ...
The 3D Web emerged as an agglomeration of technologies that brought the third dimension to the World...
Visualisation of cultural heritage using 3D modelling in situ or over the Internet has increased in ...
3D visualisations –including 3D scans and 3D reconstructions–designed as part of larger archaeology,...
Increasingly, museum objects are documented as 3D digital models (3dDM) for scientific study, online...
Museums have been increasingly investing in their digital presence. This became more pressing during...
The core mission of museums and cultural institutions is the preservation, study and presentation of...
Any form of use of virtual reality or augmented reality in history and archaeology is based on 3D di...
Recent years have seen the development of many new ways for cultural heritage visualization; with th...
Digital heritage projects are an important tool in safeguarding cultural heritage and making it avai...
In this paper, we present two experiments designed to compare 2D digital pictures and 3D digital rep...
none1noIn the Cultural Heritage field, thanks to the recent development of digital technologies, a l...
3D digitization of cultural heritage has long been used to preserve information about cultural herit...
Small communities are often groups whose traditions and history are preserved long since: being some...
In this paper I will pose a challenge to digital heritage visualisation that takes as its starting p...