While artists and performance makers use different strategies when engaging with participants in the rehearsal room, their presence provides the practitioner with a chance to care and ethically embed the other’s agency in the making process. In performance, care has often been discussed in the context of performance’s relationship with the viewer. In this article, I argue for listening as a rehearsal practice using a framework grounded in care. I propose DAR—Direction, Action, and Reflection, a way of making which fosters awareness of the other—that may be incorporated, adapted, and applied by practitioners across different creative fields. I discuss the rehearsal process of This is Not About Dance, a performative installation presented at ...
In a time of life where the body is often dematerialized, de-centred and fragmented and the material...
This PhD project engages the fields of contemporary art, performance studies and performance philoso...
This thesis is an account of praxis: it examines Playback conceptually, and portrays a programme of ...
While artists and performance makers use different strategies when engaging with participants in the...
This article addresses concepts and theories of listening and the impact these can have on community...
Dance, as a mode of physical interaction, offers opportunities to care and be cared for, but this do...
The book advances our understanding of performance as a mode of caring and explores the relationship...
Why are so many contemporary artists treating acts of rehearsal as the basis of their practice? Why ...
This edited collection brings together essays presenting an interdisciplinary dialogue between theat...
We began collaborating in 2019, as co-curators of the ‘Materiality and Corporeality’ stream in Perfo...
This paper presents a video of a performance at 'Concurrent♯2' in Edinburgh, 2017. it is followed by...
This article reflects on a dance improvisation project in which the foundational relationship of the...
The understanding of care: caregiving and receiving is fundamental in the way in which we function a...
The performativity of dance relies on the the power that different dance practices and choreographie...
I examine how working-class backgrounds shape experiences of success when working as a socially enga...
In a time of life where the body is often dematerialized, de-centred and fragmented and the material...
This PhD project engages the fields of contemporary art, performance studies and performance philoso...
This thesis is an account of praxis: it examines Playback conceptually, and portrays a programme of ...
While artists and performance makers use different strategies when engaging with participants in the...
This article addresses concepts and theories of listening and the impact these can have on community...
Dance, as a mode of physical interaction, offers opportunities to care and be cared for, but this do...
The book advances our understanding of performance as a mode of caring and explores the relationship...
Why are so many contemporary artists treating acts of rehearsal as the basis of their practice? Why ...
This edited collection brings together essays presenting an interdisciplinary dialogue between theat...
We began collaborating in 2019, as co-curators of the ‘Materiality and Corporeality’ stream in Perfo...
This paper presents a video of a performance at 'Concurrent♯2' in Edinburgh, 2017. it is followed by...
This article reflects on a dance improvisation project in which the foundational relationship of the...
The understanding of care: caregiving and receiving is fundamental in the way in which we function a...
The performativity of dance relies on the the power that different dance practices and choreographie...
I examine how working-class backgrounds shape experiences of success when working as a socially enga...
In a time of life where the body is often dematerialized, de-centred and fragmented and the material...
This PhD project engages the fields of contemporary art, performance studies and performance philoso...
This thesis is an account of praxis: it examines Playback conceptually, and portrays a programme of ...