Reconceptualizing Screen Performance

The article presents the author's views on ways in which the viewers think and analyze screen performance. According to the author, conceptualizing the performance involves not only reading actors' performances, but also a wider consideration of philosophy of the film. To scrutinize the peculiarity of performance, the author has put some fundamental questions concerning ontology and epistemology.div_MCaPAAuslander, Philip. Just Be Your Self: Logocentrism and Difference in Performance Theory. Acting (Re)Considered: Theories and Practices. Ed. Phillip B. Zarilli. London: Routledge, 1995. Baron, Cynthia, Diane Carson, and Frank P. Tomasulo, eds. More than a Method: Trends and Traditions in Contemporary Film Performance. Detroit: Wayne State UP, 2004. Benjamin, Walter. The Work of Art in the Age of Mechanical Reproduction. illuminations. Trans. Hannah Arendt. London: Fontana, 1973. Blum, Richard A. American Film Acting: The Stanislavski Heritage. Ann Arbor: UMI, 1984. Brewster, Ben. The Fundamental Reproach: Bertolt Brecht and the Cinema. Explorations in Film Theory. Ed. Ron Burnett. Bloomington: Indiana UP, 1991. Caine, Michael. Acting in Film: An Actor's Take on Movie Acting. London: Applause, 1997. Cole, Toby and Helen Krich Chinoy, Actors on Acting. New York: Crown, 1949. Drake, Philip. Low Blows? Theorizing Performance in Postclassical Comedian Comedy. Hollywood Comedians: The Film Reader. Ed. Frank Krutnik. London: Routledge. 2003 187-98. Goffman, Erving. The Presentation of Self in Everyday Life. Middlesex: Penguin, 1969. -----. Frame Analysis. Boston: Northeastern UP, 1974. Harrop, John. Acting. London: Routledge, 1992. Heath, Stephen. Body, Voice. Questions of Cinema. London: Macmillan, 1981. Jenkins, Henry. What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic. New York: Columbia UP, 1992. King, Barry. The Star and the Commodity: Notes towards a Performance Theory of Stardom. Cultural Studies 1.2 (1987): 145-61. Kuleshov, Lev. Kuleshov on Film. Trans. Ronald Levaco. Berkeley: U of California P. 1974. Laclau, Emesto. Politics and Ideology in Marxist Theory. London: Verso, 1977. Lovell, Alan and Peter Kramer, eds. Screen Acting. London: Routledge, 1999. Naremore, lames. Acting in the Cinema. Berkeley: U of California P, 1988. Pearson, Roberta. Eloquent Gestures: The Transformation of Performance Style in the Griffith Biograph Films. Berkeley: U of California P, 1992. Schechner, Richard. Between Theater and Anthropology. Philadelphia: U of Pennsylvania P, 1985. Stanislavski, Constantin. An Actor Prepares. Trans. Elizabeth Hapgood. London: Geoffrey Bles, 1955. Stern, Lesley and George Kouvaros, eds. Falling for You: Essays on Cinema and Performance. Sydney: Power, 1999. Strasberg, Lee and Evangeline Morphos. A Dream of Passion: The Development of the Method. Boston: Little Brown, 1987. Thompson, Grahame F. Approaches to 'Performance.' Screen 26.5 (1985): 78-90. Turner, Victor. The Anthropology of Performance. New York: PAJ, 1987. Wojcik, Pamela Robertson, ed. Movie Acting: the Film Reader. London: Routledge, 2004. Zucker, Carole. Figures of Light: Actors and Directors Illuminate the Art of Film Acting. New York: Plenum, 1995.58pub4851pub01-Fe