In his seminal thesis, Julian Stringer calls for more ethnographic approaches to the study of film festivals (2003, 242).Stringer adds that the key to effective ethnographic inquiry is the researcher's access- to the particular festival of interest. Generally speaking, lack of access to objects/subjects of study can be deeply problematic for the researcher, resulting in tension between research aims and realistic methods. In contrast, access can allow the researcher to adopt methods that will [bridge] the broad spaces between questions that [he/she/they] want[s] to answer, and the pragmatics and possibilities of [his/her/their] research- (Egan and Barker 2006). In the context of film festival research, one could argue that access is in fact...
As 'festivities' film festivals are characterized by temporal structures (a distinct beginning and e...
LondonThis chapter explores participatory research from a post-structuralist philosophical perspecti...
This study presents an examination of three diverse film festivals that are based in postindustrial ...
In his seminal thesis, Julian Stringer calls for more ethnographic approaches to the study of film f...
In his seminal thesis, Julian Stringer calls for more ethnographic approaches to the study of film f...
This thesis takes the view that film festivals are ‘social constructions’ and therefore need social ...
Film festival curation and programming remain highly individualistic practices, that negotiate sever...
This collection explores the intersections between anthropology and film festival studies. Film and ...
Summary Over the past two decades film festivals have become an increasingly important area of schol...
Summary Over the past two decades film festivals have become an increasingly important area of schol...
This Master thesis of 30 ECTS credits, discusses the role and function of film festivals within the ...
Specially commissioned text for the hundredth anniversary issue of one of the oldest film journals i...
The annual film festival is a very European institution invented more than 60-70 years ago. As a res...
This thesis focuses on the function, programming practices, politics and activism of human rights fi...
International Film Festivals play a vital role in shaping filmmakers’ careers. This paper presents s...
As 'festivities' film festivals are characterized by temporal structures (a distinct beginning and e...
LondonThis chapter explores participatory research from a post-structuralist philosophical perspecti...
This study presents an examination of three diverse film festivals that are based in postindustrial ...
In his seminal thesis, Julian Stringer calls for more ethnographic approaches to the study of film f...
In his seminal thesis, Julian Stringer calls for more ethnographic approaches to the study of film f...
This thesis takes the view that film festivals are ‘social constructions’ and therefore need social ...
Film festival curation and programming remain highly individualistic practices, that negotiate sever...
This collection explores the intersections between anthropology and film festival studies. Film and ...
Summary Over the past two decades film festivals have become an increasingly important area of schol...
Summary Over the past two decades film festivals have become an increasingly important area of schol...
This Master thesis of 30 ECTS credits, discusses the role and function of film festivals within the ...
Specially commissioned text for the hundredth anniversary issue of one of the oldest film journals i...
The annual film festival is a very European institution invented more than 60-70 years ago. As a res...
This thesis focuses on the function, programming practices, politics and activism of human rights fi...
International Film Festivals play a vital role in shaping filmmakers’ careers. This paper presents s...
As 'festivities' film festivals are characterized by temporal structures (a distinct beginning and e...
LondonThis chapter explores participatory research from a post-structuralist philosophical perspecti...
This study presents an examination of three diverse film festivals that are based in postindustrial ...