© 2016 Informa UK Limited, trading as Taylor & Francis Group.This article discusses the films of Jacques Audiard from the perspective of the screenwriting process. It evaluates his work as a screenwriter, and the ways in which the development process of his screenplays can inform his cinema and distinctive style. Audiard always writes with collaborators and views the filmmaking process as a team effort. Beyond establishing his own personal signature renewal of the European thriller through complex narratives, Audiard has developed a filmmaking method in which the so-called writing stage seems to extend far beyond pre-production, to influence the shooting, and finally shape the editing process completed in post-production
The materialization of autofiction in cinematic practice allows a new identification, adding to the ...
2014-01-23This dissertation examines the authorial issue of screenwriters and writer-directors along...
Although generally relegated by present-day historians to the footnotes of film history, Belgian dir...
As is well known, Jacques Audiard’s De battre mon cœur s’est arrêté (2005) is a remake of Fingers (1...
Fragile yet powerful, macho yet transgressive, Jacques Audiard's films portray disabled, marginalise...
Ivo Michiels, besides being one of the most acclaimed and radical experimental literary authors in D...
The funds allocated to developing screenplays currently constitute on average 2 to 3% of the overall...
The article examines the issues of the auteur theory, or, to be more specific, the idea of authorshi...
Hormis son dernier film en date, Resnais a toujours refusé d’adapter des romans tout en ne travailla...
Jacques Audiard’s De rouille et d’os/Rust and Bone provides a further example of this filmmaker’s su...
International audienceThis article analyses forms of interdependence between the autonomization of c...
International audienceThis article focuses on the representation of Frenchness in Quentin Tarantino'...
Autofiction as realised in cinematic practice adds a figure of identification to the literary author...
International audienceThis article analyses forms of interdependence between the autonomization of c...
Gilles Deleuze remarks that Jean Renoir’s entire œuvre displays the most fundamental operation of ti...
The materialization of autofiction in cinematic practice allows a new identification, adding to the ...
2014-01-23This dissertation examines the authorial issue of screenwriters and writer-directors along...
Although generally relegated by present-day historians to the footnotes of film history, Belgian dir...
As is well known, Jacques Audiard’s De battre mon cœur s’est arrêté (2005) is a remake of Fingers (1...
Fragile yet powerful, macho yet transgressive, Jacques Audiard's films portray disabled, marginalise...
Ivo Michiels, besides being one of the most acclaimed and radical experimental literary authors in D...
The funds allocated to developing screenplays currently constitute on average 2 to 3% of the overall...
The article examines the issues of the auteur theory, or, to be more specific, the idea of authorshi...
Hormis son dernier film en date, Resnais a toujours refusé d’adapter des romans tout en ne travailla...
Jacques Audiard’s De rouille et d’os/Rust and Bone provides a further example of this filmmaker’s su...
International audienceThis article analyses forms of interdependence between the autonomization of c...
International audienceThis article focuses on the representation of Frenchness in Quentin Tarantino'...
Autofiction as realised in cinematic practice adds a figure of identification to the literary author...
International audienceThis article analyses forms of interdependence between the autonomization of c...
Gilles Deleuze remarks that Jean Renoir’s entire œuvre displays the most fundamental operation of ti...
The materialization of autofiction in cinematic practice allows a new identification, adding to the ...
2014-01-23This dissertation examines the authorial issue of screenwriters and writer-directors along...
Although generally relegated by present-day historians to the footnotes of film history, Belgian dir...