Through a reading of the archived letters of Henry Garnet (1555–1606), Superior of the Jesuit order in England and suspected Gunpowder plotter, this article investigates the nature of the archive in relation to narrative theory. Figuring the archive as one of the number of narrating voices accrued by the individual record, I argue that models of communication such as those put forward by Roman Jakobson, Wayne C. Booth and Seymour Chatman afford useful insights into the ways in which power is inscribed and reinscribed in the record through successive acts of reading and rewriting
Geneses, Genealogies, Genres, and Genius: The Secrets of the Archive is the lecture Jacques Derrida ...
’Nothing is less reliable, nothing is less clear today than the word “archive”,&rs...
This article records an email discussion between Martin Westwood and Sarah Jones the protagonist for...
Through a reading of the archived letters of Henry Garnet (1555–1606), Superior of the Jesuit order ...
Archives are more prominent than ever, not only in art practice and theoretical discourse but also i...
This article analyses narratives inspired by the institutional emergence of the literary archive. It...
This thesis aims at unpacking the notion of the archive and determining its limitations as a mediato...
A paper exploring the physical, creative and ethical ramifications of using a specific archive for t...
The administrative documents preserved in archives tell stories which are shaped by their institutio...
In 2007 I was invited by Lucy Gunning to write a chapter in the book ‘The Archive, The Event and its...
Creative and compelling theoretical formulations of the archive have emerged from a host of discipli...
The archive as both plot element and narrative presentation factors significantly into the work of J...
Archives are primary sources of information for biographers, historians and social scientists. Yet t...
Archivists and historiansusually consider archives as repositories ofhistorical sources and the arch...
Short paper presented at The Ontology of the Archive, 25 April 2008, Manchester Museu
Geneses, Genealogies, Genres, and Genius: The Secrets of the Archive is the lecture Jacques Derrida ...
’Nothing is less reliable, nothing is less clear today than the word “archive”,&rs...
This article records an email discussion between Martin Westwood and Sarah Jones the protagonist for...
Through a reading of the archived letters of Henry Garnet (1555–1606), Superior of the Jesuit order ...
Archives are more prominent than ever, not only in art practice and theoretical discourse but also i...
This article analyses narratives inspired by the institutional emergence of the literary archive. It...
This thesis aims at unpacking the notion of the archive and determining its limitations as a mediato...
A paper exploring the physical, creative and ethical ramifications of using a specific archive for t...
The administrative documents preserved in archives tell stories which are shaped by their institutio...
In 2007 I was invited by Lucy Gunning to write a chapter in the book ‘The Archive, The Event and its...
Creative and compelling theoretical formulations of the archive have emerged from a host of discipli...
The archive as both plot element and narrative presentation factors significantly into the work of J...
Archives are primary sources of information for biographers, historians and social scientists. Yet t...
Archivists and historiansusually consider archives as repositories ofhistorical sources and the arch...
Short paper presented at The Ontology of the Archive, 25 April 2008, Manchester Museu
Geneses, Genealogies, Genres, and Genius: The Secrets of the Archive is the lecture Jacques Derrida ...
’Nothing is less reliable, nothing is less clear today than the word “archive”,&rs...
This article records an email discussion between Martin Westwood and Sarah Jones the protagonist for...