The authors make a powerful case for the benefits of people with learning disabilities taking part in performing arts, with particular emphasis on drama and dance. Examples of good practice are set alongside a review of disability arts in the wider context of debates about inclusion and human rights. A well-researched resource for professionals, carers and parents who want to know how participation in the arts can promote – or hinder – the promotion of personal choice and control for people with learning disabilities
This submission draws together six publications and a covering document to set out an original contr...
In Spring 2021, York St John University and Mind the Gap collaborated to validate a Certificate in H...
© 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group. This article presents some of ...
People with learning disabilities are often excluded from society. This is changing; however, discri...
This article argues for an approach to the evaluation of arts policy and practice for disabled child...
Professional training opportunities for students with physical and learning disabilities in the perf...
research focuses on the performing arts lives of four performers with learning difficulties, who wer...
This study aims to explore how interaction with the performing arts could facilitate the participati...
This chapter argues for an expanded aesthetics in theatre and dance that includes people who do not ...
The concept of dramaturgy as a creative process of ‘thinking no one’s thought’ (Bleeker 2015, 75) is...
People with intellectual disabilities, who form the largest proportion of the disability population ...
This chapter examines the disability arts movement in Great Britain as an example of a self-organise...
People with intellectual disabilities (IDs) are often recognised as suffering from “social exclusion...
In Australia disabled people’s participation in the arts has historically been afforded by means of ...
This edition of Discourse comes into being after two decades of engagement with the cultural politic...
This submission draws together six publications and a covering document to set out an original contr...
In Spring 2021, York St John University and Mind the Gap collaborated to validate a Certificate in H...
© 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group. This article presents some of ...
People with learning disabilities are often excluded from society. This is changing; however, discri...
This article argues for an approach to the evaluation of arts policy and practice for disabled child...
Professional training opportunities for students with physical and learning disabilities in the perf...
research focuses on the performing arts lives of four performers with learning difficulties, who wer...
This study aims to explore how interaction with the performing arts could facilitate the participati...
This chapter argues for an expanded aesthetics in theatre and dance that includes people who do not ...
The concept of dramaturgy as a creative process of ‘thinking no one’s thought’ (Bleeker 2015, 75) is...
People with intellectual disabilities, who form the largest proportion of the disability population ...
This chapter examines the disability arts movement in Great Britain as an example of a self-organise...
People with intellectual disabilities (IDs) are often recognised as suffering from “social exclusion...
In Australia disabled people’s participation in the arts has historically been afforded by means of ...
This edition of Discourse comes into being after two decades of engagement with the cultural politic...
This submission draws together six publications and a covering document to set out an original contr...
In Spring 2021, York St John University and Mind the Gap collaborated to validate a Certificate in H...
© 2018, © 2018 Informa UK Limited, trading as Taylor & Francis Group. This article presents some of ...