Add to ORKGIn this essay, Campbell posits that Seamus Heaney's poems in 'Field Work' are concerned with the poet questioning not just the social function of poetry but also the dangers of consolatory art, not just the deep ambivalence of a writing in a contested state but the very political nature of art itself. This rereading of the poem 'Casualty' outlines the cusp on which Heaney operates within this poem, thereby allowing for new possible readings of the work
Seamus Heaney’s unexpected death in August 2013 brought to completion his body of work, and scholars...
This paper proposes that at a time when Northern Ireland increasingly descended into civil strife an...
North, Seamus Heaney’s fourth volume of poetry, deals with the nature of the subject in a problemati...
Seamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restora...
This paper is no more than a preliminary survey of the poetry of Seamus Heaney, the leading poet of ...
Death is everywhere in literature and when describing encounters with the moment of death or with de...
What are the ends of poetry in times when humanity has to face up to the possibility of nature’s fin...
This article focuses on the noteworthy intellectual and artistic coherence apparent in the relations...
Seamus Heaney and the Poetic(s) of Violence reconsiders the key importance of violence as an aesthet...
Seamus Heaney explores the historical and cultural origins of his native territory. His poems link t...
Being the final poem in Heaney’s 1996 collection The Spirit Level, situates the poem “Postscript” si...
This dissertation has two interrelated aspects. First, throughout his career, Heaney has resisted th...
This dissertation has two interrelated aspects. First, throughout his career, Heaney has resisted th...
It was Seamus Heaney’s practice to submit poems that were to appear in Death of a Naturalist to the ...
This essay examines the imaginative use of images of the violently abused body in the writing of Sea...
Seamus Heaney’s unexpected death in August 2013 brought to completion his body of work, and scholars...
This paper proposes that at a time when Northern Ireland increasingly descended into civil strife an...
North, Seamus Heaney’s fourth volume of poetry, deals with the nature of the subject in a problemati...
Seamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restora...
This paper is no more than a preliminary survey of the poetry of Seamus Heaney, the leading poet of ...
Death is everywhere in literature and when describing encounters with the moment of death or with de...
What are the ends of poetry in times when humanity has to face up to the possibility of nature’s fin...
This article focuses on the noteworthy intellectual and artistic coherence apparent in the relations...
Seamus Heaney and the Poetic(s) of Violence reconsiders the key importance of violence as an aesthet...
Seamus Heaney explores the historical and cultural origins of his native territory. His poems link t...
Being the final poem in Heaney’s 1996 collection The Spirit Level, situates the poem “Postscript” si...
This dissertation has two interrelated aspects. First, throughout his career, Heaney has resisted th...
This dissertation has two interrelated aspects. First, throughout his career, Heaney has resisted th...
It was Seamus Heaney’s practice to submit poems that were to appear in Death of a Naturalist to the ...
This essay examines the imaginative use of images of the violently abused body in the writing of Sea...
Seamus Heaney’s unexpected death in August 2013 brought to completion his body of work, and scholars...
This paper proposes that at a time when Northern Ireland increasingly descended into civil strife an...
North, Seamus Heaney’s fourth volume of poetry, deals with the nature of the subject in a problemati...