This is a contribution to a book of essays on Dylan Thomas derived from a centenary conference on the poet's work in 2014 at Cambridge University. The chapter is a consideration of Thomas' poem 'The Hunchback in the Park', its manuscript sources and revision, and its relation to W. H. Auden's 'Squares and Oblongs' essay, which accuses poets in the revisionary activities as being the equivalent of dictatorial tyrants. This observation, which uses Thomas' manuscripts at Buffalo as evidence is both understood contextually and argued down with detailed illustration from work on this poem
In Dylan Thomas’s 18 Poems (1934), Twenty-five Poems (1936) and The Map of Love (1939) the traumas o...
The astonishing popularity of Dylan Thomas and his difficult poetry has in the last twenty years mad...
An introductory and revisionary account of 1940s poetry which takes seriously the apocalyptic and n...
In the early poetry, 18 Poems and 25 Poems, Dylan Thomas speaks of his awareness of the artistic her...
The first full-length account of Thomas’s poetry since 1966 (135,000 word monograph), with subsidiar...
In 18 Poems, Dylan Thomas’s creativity is marked as much as by a search for form as by a fresh explo...
Discovering Dylan Thomas is a companion to Dylan Thomas's published and notebook poems. It includes ...
In 18 Poems, Dylan Thomas’s search for rhymes around the poles is really a quest for the significant...
In “In Country Sleep”, Dylan Thomas offers the Yeatsian paradoxical sensibility, the process of magn...
Irony, inclusiveness, and complexity are the chief criteria of value in the twentieth century intell...
Irony, inclusiveness, and complexity are the chief criteria of value in the twentieth century intell...
Irony, inclusiveness, and complexity are the chief criteria of value in the twentieth century intell...
Like Shakespeare and Joyce before him, Dylan Thomas expanded our sense of what the English language ...
No other poet in modern history matched the rhythmic drive and verbal flamboyance of the Welshman, D...
The initial impetus for this study was two-fold: to explore the rich but relatively neglected prose ...
In Dylan Thomas’s 18 Poems (1934), Twenty-five Poems (1936) and The Map of Love (1939) the traumas o...
The astonishing popularity of Dylan Thomas and his difficult poetry has in the last twenty years mad...
An introductory and revisionary account of 1940s poetry which takes seriously the apocalyptic and n...
In the early poetry, 18 Poems and 25 Poems, Dylan Thomas speaks of his awareness of the artistic her...
The first full-length account of Thomas’s poetry since 1966 (135,000 word monograph), with subsidiar...
In 18 Poems, Dylan Thomas’s creativity is marked as much as by a search for form as by a fresh explo...
Discovering Dylan Thomas is a companion to Dylan Thomas's published and notebook poems. It includes ...
In 18 Poems, Dylan Thomas’s search for rhymes around the poles is really a quest for the significant...
In “In Country Sleep”, Dylan Thomas offers the Yeatsian paradoxical sensibility, the process of magn...
Irony, inclusiveness, and complexity are the chief criteria of value in the twentieth century intell...
Irony, inclusiveness, and complexity are the chief criteria of value in the twentieth century intell...
Irony, inclusiveness, and complexity are the chief criteria of value in the twentieth century intell...
Like Shakespeare and Joyce before him, Dylan Thomas expanded our sense of what the English language ...
No other poet in modern history matched the rhythmic drive and verbal flamboyance of the Welshman, D...
The initial impetus for this study was two-fold: to explore the rich but relatively neglected prose ...
In Dylan Thomas’s 18 Poems (1934), Twenty-five Poems (1936) and The Map of Love (1939) the traumas o...
The astonishing popularity of Dylan Thomas and his difficult poetry has in the last twenty years mad...
An introductory and revisionary account of 1940s poetry which takes seriously the apocalyptic and n...