This commissioned article attempts to critically reflect upon the 2018 GI festival, identifying key curatorial themes in relation to broader shifts in contemporary art, discussing how these ideas and concerns have been manifested in the exhibitions and events through short reviews of specific exhibitions within GI which exemplify these points, including Duggie Fields at the Modern Institute, Nadia Myre at The Briggait (for Mother Tongue), Tai Shani at Tramway, Lubaina Himid at Tramway, Linder at GWL, Janie Nicholl and Ailie Rutherford's In Kind and Mick Peter and the Young Regenerators in Dalmarnock
This collaborative exhibition formed part of Supported Programme of the Glasgow International Festiv...
The genre of art and design criticism still revolves around the publication of carefully considered ...
This review article engages with the 12th Berlin Biennale which was curated by Kader Attia and a tea...
Good £uck was an exhibition I curated for the Glasgow International Festival Supported Programme in ...
This article was a review of my exhibition 'Torn Gestures' in Norwich. It was part of a larger revi...
Exhibition Dates: 20 April - 7 May 2018 Research context: Glasgow International Festival of Visual A...
Phenomenally popular between roughly 1850 and 1950, International Exhibitions were important precurs...
This Group Exhibition took place at Sculpture and Design Glasgow and was programmed as part of GI 20...
Biennales are no longer merely a question of the artworld, but a question of urbanism. Over the cour...
This article reviews the exhibition SAMPLE by Collect Scotland, The Lighthouse, Glasgow, Scotland, 2...
My overview of Glasgow International festival of visual art 2014, commissioned by Frieze
CABINET INTERVENTIONS An exhibition at Pollok House 20 April - 7 May 2018 Programmed as part of G...
This article examines the Glasgow International Festival and its detrimental effect on artist-run ac...
The project is a group exhibition in Detroit Michigan curated by Cedric Tai, spread over 2 venues. O...
‘East International’, a publicaly funded annual exhibition conceived and curated by Lynda Morris (No...
This collaborative exhibition formed part of Supported Programme of the Glasgow International Festiv...
The genre of art and design criticism still revolves around the publication of carefully considered ...
This review article engages with the 12th Berlin Biennale which was curated by Kader Attia and a tea...
Good £uck was an exhibition I curated for the Glasgow International Festival Supported Programme in ...
This article was a review of my exhibition 'Torn Gestures' in Norwich. It was part of a larger revi...
Exhibition Dates: 20 April - 7 May 2018 Research context: Glasgow International Festival of Visual A...
Phenomenally popular between roughly 1850 and 1950, International Exhibitions were important precurs...
This Group Exhibition took place at Sculpture and Design Glasgow and was programmed as part of GI 20...
Biennales are no longer merely a question of the artworld, but a question of urbanism. Over the cour...
This article reviews the exhibition SAMPLE by Collect Scotland, The Lighthouse, Glasgow, Scotland, 2...
My overview of Glasgow International festival of visual art 2014, commissioned by Frieze
CABINET INTERVENTIONS An exhibition at Pollok House 20 April - 7 May 2018 Programmed as part of G...
This article examines the Glasgow International Festival and its detrimental effect on artist-run ac...
The project is a group exhibition in Detroit Michigan curated by Cedric Tai, spread over 2 venues. O...
‘East International’, a publicaly funded annual exhibition conceived and curated by Lynda Morris (No...
This collaborative exhibition formed part of Supported Programme of the Glasgow International Festiv...
The genre of art and design criticism still revolves around the publication of carefully considered ...
This review article engages with the 12th Berlin Biennale which was curated by Kader Attia and a tea...