The nine volumes of the "Romanian Music Chronicle", printed by the Music Publishing Hause, Bucharest, in 20 years (1973-1991) are the fruit of an extremely elaborated investigation, that broke all the walls that tried to hide this real patrimony of spirituality. The author, Octavian Lazar Cosma, shouldered the responsibility of a difficult cultural mission to establish the main points of the Romanian music evolution during these two millennia
Stewart Lorna. The Chant Royal, a Study of the Evolution of a Genre. In: Romania, tome 96 n°384, 197...
Since the earliest times, music has always been present at all peoples, as each people tried to embe...
The present work focuses on the national cultures of the early 20th century in several European coun...
The nine volumes of the "Romanian Music Chronicle", printed by the Music Publishing Hause, Bucharest...
Written in the year of Romania’s centennial anniversary as a national state, this paper intends to o...
In a world of open boundaries where the free circulation of spiritual assets and the impetuous flood...
Nicolae Ceaușescu’s “theses” from July 1971 pressured Romanian culture in its entirety on a new traj...
UIDB/00693/2020 UIDP/00693/2020These are the first two volumes of three constituting a remarkable su...
Sigismund Toduta is one of the most important figures in twentieth-century Romanian music, but he ha...
The article below presents an overview of the main musicological studies that aim Bessarabian religi...
In an atheist society, such as the communist one, all forms of the sacred were anathematized and fie...
My paper explores the hypothetical work of a musicologist of the future interested in church music s...
The idea of writing this first article about the notes made on the cult books from the heritage of t...
The article refers to that ample action of reviewing the psalm music of the early XIX century which,...
This article is timed to the 100th anniversary of the Unifi cation of Bessarabia with the center in ...
Stewart Lorna. The Chant Royal, a Study of the Evolution of a Genre. In: Romania, tome 96 n°384, 197...
Since the earliest times, music has always been present at all peoples, as each people tried to embe...
The present work focuses on the national cultures of the early 20th century in several European coun...
The nine volumes of the "Romanian Music Chronicle", printed by the Music Publishing Hause, Bucharest...
Written in the year of Romania’s centennial anniversary as a national state, this paper intends to o...
In a world of open boundaries where the free circulation of spiritual assets and the impetuous flood...
Nicolae Ceaușescu’s “theses” from July 1971 pressured Romanian culture in its entirety on a new traj...
UIDB/00693/2020 UIDP/00693/2020These are the first two volumes of three constituting a remarkable su...
Sigismund Toduta is one of the most important figures in twentieth-century Romanian music, but he ha...
The article below presents an overview of the main musicological studies that aim Bessarabian religi...
In an atheist society, such as the communist one, all forms of the sacred were anathematized and fie...
My paper explores the hypothetical work of a musicologist of the future interested in church music s...
The idea of writing this first article about the notes made on the cult books from the heritage of t...
The article refers to that ample action of reviewing the psalm music of the early XIX century which,...
This article is timed to the 100th anniversary of the Unifi cation of Bessarabia with the center in ...
Stewart Lorna. The Chant Royal, a Study of the Evolution of a Genre. In: Romania, tome 96 n°384, 197...
Since the earliest times, music has always been present at all peoples, as each people tried to embe...
The present work focuses on the national cultures of the early 20th century in several European coun...