Hemed Abdallah el-Buhry (1850-1928), known as Mzee Kibao and coming from a prestigious family of poets from Tanga, can be considered as the inventor of a new relation between poetry and reputation in the context of the German conquest of Tanganyika. The aim of this paper is to analyse how the ap¬parently anti-epic attitude of ‘reputation through non-action’ is the main narrative device of Hemed’s tenzi. This poetry of ‘prevented actions’ can be considered as an important turn in Swahili poetry in the new historical context of colonisation
Mathias Eugen Mnyampala (1917-1969) was a Tanzanian writer, lawyer and poet who wrote in Kiswahili. ...
This lively poem, one of several hundred collected in Mombasa at the end of the nineteenth century b...
The frame for this critical interpretation of the Kiswahili popular love song “Pili Mswahili” by Mor...
Hemed Abdallah el-Buhry (1850-1928), known as Mzee Kibao and coming from a prestigious family of poe...
Hemed Abdallah el - Buhry (1850 - 1928), known as 'Mzee Kibao' and coming from a prestigious family ...
There is a wide range of contemporary publications dealing with Maji Mai War in German East Africa (...
Religion and literature have a powerful symbiotic relationship.Just as the former renders truth of a...
This paper has the objective to make a thematic analysis of a classic poem Utendi wa Mwana Kupona us...
Folklore studies have fairly often put the study of performance tech-niques and topics before that o...
The 19th-century Swahili poet Muyaka bin Haji al-Ghassaniy composed several poems in opposition to t...
Contemporary Swahili poetry is developing according to three main trends. The followers of the first...
Within the Lamu Archipelago in Kenya’s northern coast, creative writing has been thriving for at lea...
Much has been said about the origin and development of the unique Arabo-African hybrid creations of ...
Since ancient time until today, the image of the hero has influenced literary works universally. Th...
While a good deal of attention has been paid by linguists to Swahili epic poetry, which in performan...
Mathias Eugen Mnyampala (1917-1969) was a Tanzanian writer, lawyer and poet who wrote in Kiswahili. ...
This lively poem, one of several hundred collected in Mombasa at the end of the nineteenth century b...
The frame for this critical interpretation of the Kiswahili popular love song “Pili Mswahili” by Mor...
Hemed Abdallah el-Buhry (1850-1928), known as Mzee Kibao and coming from a prestigious family of poe...
Hemed Abdallah el - Buhry (1850 - 1928), known as 'Mzee Kibao' and coming from a prestigious family ...
There is a wide range of contemporary publications dealing with Maji Mai War in German East Africa (...
Religion and literature have a powerful symbiotic relationship.Just as the former renders truth of a...
This paper has the objective to make a thematic analysis of a classic poem Utendi wa Mwana Kupona us...
Folklore studies have fairly often put the study of performance tech-niques and topics before that o...
The 19th-century Swahili poet Muyaka bin Haji al-Ghassaniy composed several poems in opposition to t...
Contemporary Swahili poetry is developing according to three main trends. The followers of the first...
Within the Lamu Archipelago in Kenya’s northern coast, creative writing has been thriving for at lea...
Much has been said about the origin and development of the unique Arabo-African hybrid creations of ...
Since ancient time until today, the image of the hero has influenced literary works universally. Th...
While a good deal of attention has been paid by linguists to Swahili epic poetry, which in performan...
Mathias Eugen Mnyampala (1917-1969) was a Tanzanian writer, lawyer and poet who wrote in Kiswahili. ...
This lively poem, one of several hundred collected in Mombasa at the end of the nineteenth century b...
The frame for this critical interpretation of the Kiswahili popular love song “Pili Mswahili” by Mor...