This thesis explores the relationship between image and text in four devotional books printed in Münster Germany between 1589 and 1660, and shows how this relationship supported the Catholic confessionalization programs of the three prince-bishops of those years. These confessionalization strategies, though varied, all emphasized the reinforcement of religious conformity leading to the consolidation of the authority of the ecclesiastical and secular leadership of the prince-bishop. The success of the confessionalization strategies of the three prince-bishops through this medium were the result of three contributing factors. The first of these was the printer of the works, the Raesfeldt printing house, which held a printing monopoly from all...
The circulation of religious images throughout Europe, divided by confessional dissents, lead the ar...
During the second half of the 18th century and into the 19th century, Mexico City experienced an inc...
Recent scholarship has advanced paradoxical conclusions about the relationship between Renaissance h...
This thesis explores the relationship between image and text in four devotional books printed in Mün...
This book explains how and why Lutheranism—a confession that insisted upon the pre-eminence of God’s...
The introduction of the printing press in the transitional age between the late Middle Ages and the ...
This dissertation explores how religious art produced within the orbit of the Lutheran church in the...
This project explores popular piety at the time of the European Reformations through the study of si...
This thesis analyses images of the suffering Christ between circa 1450 and circa 1550 from across We...
International audienceThe decisions made by the Catholic Church at the Council of Trent were central...
Early modern Lutherans, as is well known, worshipped in decorated churches. They adopted a path of r...
This book, printed in Germany in 1591 in Latin, is a compilation of materials beginning with the Aug...
The Carthusians are well known for their austere way of life and their (apparently) negative apprais...
The traditional image of the Dutch church interior is that of a whitewashed, serene space; The stron...
The Catholic community of post-Settlement England relied upon devotional literature to sustain ...
The circulation of religious images throughout Europe, divided by confessional dissents, lead the ar...
During the second half of the 18th century and into the 19th century, Mexico City experienced an inc...
Recent scholarship has advanced paradoxical conclusions about the relationship between Renaissance h...
This thesis explores the relationship between image and text in four devotional books printed in Mün...
This book explains how and why Lutheranism—a confession that insisted upon the pre-eminence of God’s...
The introduction of the printing press in the transitional age between the late Middle Ages and the ...
This dissertation explores how religious art produced within the orbit of the Lutheran church in the...
This project explores popular piety at the time of the European Reformations through the study of si...
This thesis analyses images of the suffering Christ between circa 1450 and circa 1550 from across We...
International audienceThe decisions made by the Catholic Church at the Council of Trent were central...
Early modern Lutherans, as is well known, worshipped in decorated churches. They adopted a path of r...
This book, printed in Germany in 1591 in Latin, is a compilation of materials beginning with the Aug...
The Carthusians are well known for their austere way of life and their (apparently) negative apprais...
The traditional image of the Dutch church interior is that of a whitewashed, serene space; The stron...
The Catholic community of post-Settlement England relied upon devotional literature to sustain ...
The circulation of religious images throughout Europe, divided by confessional dissents, lead the ar...
During the second half of the 18th century and into the 19th century, Mexico City experienced an inc...
Recent scholarship has advanced paradoxical conclusions about the relationship between Renaissance h...