Add to ORKGHow does music shape the experience of the sacred? This chapter looks at two genres of North American Indigenous singing – drum song performed at powwows and gospel singing associated with funerary wakes – and it explores music’s capacity for mediating sacred presences and processes
grantor: University of TorontoInuit drum songs are snapshots of memorable activities in c...
In Sikh religious practice, listening to sung sacred poetry (sabad kīrtan) is the chief means of wor...
In this paper, I provide a brief overview of the history and practice of the Native American Gourd D...
How does music shape the experience of the sacred? This chapter looks at two genres of North America...
The purpose of this research is to examine past and present Indigenous music and how both interconne...
Celebrating the diversity of indigenous nations, cultures and religions, the essays which comprise t...
Naturally, contributions from places other than this one will be encouraged, indeed, sought. There c...
Digitisation has made the return of recordings made by researchers in the past far more achievable t...
The Indigenous traditions and experiences of instrumental music in North America are as varied and d...
Abstract: In this article the author explores relationships between Aboriginal Canadian music-making...
How do Aboriginal musicians and music professionals make connections between their music and their ...
In the current climate of American Indian culture in the United States, the impact of the internet o...
Songs are a Blackfoot way of knowing, inseparable from ceremonies that express relationship and resp...
The number of publications on the use of indigenous music in Christian worship is increasing with ev...
I begin this chapter by arguing against any sort of prescriptive definitions for Indigenous Australi...
grantor: University of TorontoInuit drum songs are snapshots of memorable activities in c...
In Sikh religious practice, listening to sung sacred poetry (sabad kīrtan) is the chief means of wor...
In this paper, I provide a brief overview of the history and practice of the Native American Gourd D...
How does music shape the experience of the sacred? This chapter looks at two genres of North America...
The purpose of this research is to examine past and present Indigenous music and how both interconne...
Celebrating the diversity of indigenous nations, cultures and religions, the essays which comprise t...
Naturally, contributions from places other than this one will be encouraged, indeed, sought. There c...
Digitisation has made the return of recordings made by researchers in the past far more achievable t...
The Indigenous traditions and experiences of instrumental music in North America are as varied and d...
Abstract: In this article the author explores relationships between Aboriginal Canadian music-making...
How do Aboriginal musicians and music professionals make connections between their music and their ...
In the current climate of American Indian culture in the United States, the impact of the internet o...
Songs are a Blackfoot way of knowing, inseparable from ceremonies that express relationship and resp...
The number of publications on the use of indigenous music in Christian worship is increasing with ev...
I begin this chapter by arguing against any sort of prescriptive definitions for Indigenous Australi...
grantor: University of TorontoInuit drum songs are snapshots of memorable activities in c...
In Sikh religious practice, listening to sung sacred poetry (sabad kīrtan) is the chief means of wor...
In this paper, I provide a brief overview of the history and practice of the Native American Gourd D...