Featuring original interviews with practitioners, this diverse and accessible collection is invaluable for undergraduate and postgraduate students exploring voice studies, physical theatre or theatre history on theatre and performance degrees.Its lively and practical approach makes it ideal for practitioners and voice coaches seeking to interrogate the nuances of their trade
The paper focuses on voice in relation to contemporary poetic language. The voice of a poet who read...
This paper explores the dilemma faced by voice practitioner-researchers when working with literature...
Most of the scientific research on singing voice has focused on classical and operatic singing. Whil...
The author’s intention in undertaking a Master of Fine Arts degree in Theatre was to gain a deeper u...
I was sole editor for this single topic, special issue of Performance Research. It was the result o...
As more and more actor training conservatoires become subsumed into university structures there is a...
My bachelor work deals with possibilities of movement and voice and their mutual connection both for...
This is an Accepted Manuscript of a chapter published by Routledge in Voice Studies: Critical Appro...
Fitzmaurice Voicework (FV), as a technique of vocal performance, requires time and lengthy introduct...
[Extract] "Voice" is a much disputed term of particular significance in the study of literature and ...
ii This study proposes a view of theatre voice as central to performance. It proposes a shift in par...
AbstractTheatre is the art of animating a story with the words and movements of the actors in a plac...
When we construct our knowledge in educational settings we usually listen to many different voices, ...
Across the US and abroad, voice training for the actor is a mandatory study. The actor needs to lear...
This anthology of student work is a collection of winning essays from Voices: on stage & in print, a...
The paper focuses on voice in relation to contemporary poetic language. The voice of a poet who read...
This paper explores the dilemma faced by voice practitioner-researchers when working with literature...
Most of the scientific research on singing voice has focused on classical and operatic singing. Whil...
The author’s intention in undertaking a Master of Fine Arts degree in Theatre was to gain a deeper u...
I was sole editor for this single topic, special issue of Performance Research. It was the result o...
As more and more actor training conservatoires become subsumed into university structures there is a...
My bachelor work deals with possibilities of movement and voice and their mutual connection both for...
This is an Accepted Manuscript of a chapter published by Routledge in Voice Studies: Critical Appro...
Fitzmaurice Voicework (FV), as a technique of vocal performance, requires time and lengthy introduct...
[Extract] "Voice" is a much disputed term of particular significance in the study of literature and ...
ii This study proposes a view of theatre voice as central to performance. It proposes a shift in par...
AbstractTheatre is the art of animating a story with the words and movements of the actors in a plac...
When we construct our knowledge in educational settings we usually listen to many different voices, ...
Across the US and abroad, voice training for the actor is a mandatory study. The actor needs to lear...
This anthology of student work is a collection of winning essays from Voices: on stage & in print, a...
The paper focuses on voice in relation to contemporary poetic language. The voice of a poet who read...
This paper explores the dilemma faced by voice practitioner-researchers when working with literature...
Most of the scientific research on singing voice has focused on classical and operatic singing. Whil...