The study of eye gaze fixations on photographic images is an active research area. In contrast, the image sub-category of freehand sketches has not received as much attention for such studies. In this paper, we analyze the results of a free-viewing gaze fixation study conducted on 3904 freehand sketches distributed across 160 object categories. Our analysis shows that fixation sequences exhibit marked consistency within a sketch, across sketches of a category and even across suitably grouped sets of categories. This multi-level consistency is remarkable given the variability in depiction and extreme image content sparsity that characterizes hand-drawn object sketches. In this paper, we show that the multi-level consistency in the fixation d...
When viewing a painting, artists perceive more information from the painting on the basis of their e...
Abstract. Categorizing free-hand human sketches has profound impli-cations in applications such as h...
We investigated the boundaries among imagery, memory, and perception by measuring gaze during retrie...
The study of eye gaze fixations on photographic images is an active research area. In contrast, the ...
As a form of visual representation, freehand line sketches are typically studied as an end product o...
Effectively solving the problem of sketch generation, which aims to produce human-drawing-like sketc...
"Sketches drawn by humans can play a similar role to photos in terms of conveying shape, posture as ...
Humans effortlessly grasp the connection between sketches and real-world objects, even when these sk...
Human free-hand sketches provide the useful data for studying human perceptual grouping, where the g...
Human free-hand sketches have been studied in various contexts including sketch recognition, synthes...
We advance sketch research to scenes with the first dataset of freehand scene sketches, FS-COCO. Wit...
We present an iterative optimization scheme for obtaining minimal line sketches of object categories...
Sketch recognition aims to automatically classify human hand sketches of objects into known categori...
Guidance of eye-movements in image viewing is believed to be controlled by stimulus driven factors a...
To see is to sketch - free-hand sketching naturally builds ties between human and machine vision. In...
When viewing a painting, artists perceive more information from the painting on the basis of their e...
Abstract. Categorizing free-hand human sketches has profound impli-cations in applications such as h...
We investigated the boundaries among imagery, memory, and perception by measuring gaze during retrie...
The study of eye gaze fixations on photographic images is an active research area. In contrast, the ...
As a form of visual representation, freehand line sketches are typically studied as an end product o...
Effectively solving the problem of sketch generation, which aims to produce human-drawing-like sketc...
"Sketches drawn by humans can play a similar role to photos in terms of conveying shape, posture as ...
Humans effortlessly grasp the connection between sketches and real-world objects, even when these sk...
Human free-hand sketches provide the useful data for studying human perceptual grouping, where the g...
Human free-hand sketches have been studied in various contexts including sketch recognition, synthes...
We advance sketch research to scenes with the first dataset of freehand scene sketches, FS-COCO. Wit...
We present an iterative optimization scheme for obtaining minimal line sketches of object categories...
Sketch recognition aims to automatically classify human hand sketches of objects into known categori...
Guidance of eye-movements in image viewing is believed to be controlled by stimulus driven factors a...
To see is to sketch - free-hand sketching naturally builds ties between human and machine vision. In...
When viewing a painting, artists perceive more information from the painting on the basis of their e...
Abstract. Categorizing free-hand human sketches has profound impli-cations in applications such as h...
We investigated the boundaries among imagery, memory, and perception by measuring gaze during retrie...