A discussion of little-known women choreographers in early twentieth-century ballet, the venues in which they flourished, and the reasons for their success, failure, and ultimate neglect
The concert dance world is clearly a female-populated industry, as evidenced by the many more women ...
Classical ballet training has been criticized for prioritizing technical excellence over creativity,...
This thesis explores the issues that arise from posing the question: how could the silent dance-body...
The Romantic Movement of the nineteenth century revolutionized the art form of ballet in France, and...
The work addresses a significant gap in British dance history between the Romantic period and the ad...
This paper explores how the ballerina can be better represented in the culture, aesthetics, and poli...
Although she choreographed over seventy ballets, for most of the twentieth century Bronislava Nijins...
Why do women choreographers choose to create the dances they do in the manner they do? How do women ...
One of the hottest tickets at Dance Umbrella in 2009 was "Where are the Women?" a debate addressing ...
A discussion of the travesty dancer in the context of Romantic and Post-Romantic ballet
A dearth of women exists in the upper echelons of ballet choreography. Both academia and the popular...
In this text, I discuss Vaslav Nijinsky's choreography of Le Sacre du Printemps (henceforth Sacre) a...
The Rite of Spring was a new kind of ballet, and it took a new kind of company to produce it. What e...
My dissertation examines the theorization of dance as a poetic language by philosophers, poets, chor...
Three major Australian ballet companies founded between 1941 and 1953 gave local dancers the chance ...
The concert dance world is clearly a female-populated industry, as evidenced by the many more women ...
Classical ballet training has been criticized for prioritizing technical excellence over creativity,...
This thesis explores the issues that arise from posing the question: how could the silent dance-body...
The Romantic Movement of the nineteenth century revolutionized the art form of ballet in France, and...
The work addresses a significant gap in British dance history between the Romantic period and the ad...
This paper explores how the ballerina can be better represented in the culture, aesthetics, and poli...
Although she choreographed over seventy ballets, for most of the twentieth century Bronislava Nijins...
Why do women choreographers choose to create the dances they do in the manner they do? How do women ...
One of the hottest tickets at Dance Umbrella in 2009 was "Where are the Women?" a debate addressing ...
A discussion of the travesty dancer in the context of Romantic and Post-Romantic ballet
A dearth of women exists in the upper echelons of ballet choreography. Both academia and the popular...
In this text, I discuss Vaslav Nijinsky's choreography of Le Sacre du Printemps (henceforth Sacre) a...
The Rite of Spring was a new kind of ballet, and it took a new kind of company to produce it. What e...
My dissertation examines the theorization of dance as a poetic language by philosophers, poets, chor...
Three major Australian ballet companies founded between 1941 and 1953 gave local dancers the chance ...
The concert dance world is clearly a female-populated industry, as evidenced by the many more women ...
Classical ballet training has been criticized for prioritizing technical excellence over creativity,...
This thesis explores the issues that arise from posing the question: how could the silent dance-body...
DOI
Add to ORKG