While the primary plot line of Gerusalemme liberata depicts the historical conquest of a foreign territory through military violence that precludes peaceful co-existence and seeks the complete annihilation of the Other, the romance episodes invented by the author move in the opposite direction, envisioning male and female characters who desire (and, in some cases, attain) the most intimate form of physical union with an individual from the enemy camp. The romantic vicissitudes involving the three pagan female protagonists Clorinda, Erminia, and Armida, along with the two most prominent warriors on the Christian side, Tancredi and Rinaldo, are not minor episodes, but narrative threads that extend for almost the entire length of the poem and ...
The essay analyzes particular scenes of the poem by Tasso (XVI and XVIII) where the symbolic meaning...
Funzioni e vitalità narrativa della Cronaca di Guglielmo di Tiro nella Gerusalemme liberata di Torqu...
On the surface, Armida seems to project binary oppositions. The opera features a brave European hero...
Among the reasons for the extraordinary European fortune, in literary, artistic and musical fields, ...
The translations of Tasso’s Gerusalemme liberata by Richard Carew (1594) and Edward Fairfax (1600) i...
The paper describes peculiar aspects of the Guerre dei goti, Gabriello Chiabrera’s first work, by fo...
The essay analyzes and develops the rhetoric of the language of passions in the Christian poem by Ta...
The romance of Armida and Rinaldo, an episode in Torquato Tasso's epic poem Gerusalemme Liberata (15...
[[abstract]]In Jerusalem Delivered, Tasso describes the siege and liberation of Jerusalem by the fir...
This dissertation analyzes the heroines in Torquato Tasso’s major poetic work, Gerusalemme liberata ...
The Neapolitan painter Paolo Finoglio (1590-1645) here depicts two figures from the third canto of T...
The essay examines some of the intertextualities of the Gerusalemme liberata, with a specific atten...
La conquista de Jerusalén, an anonymous play composed before 1586 which Stefano Arata attributes to ...
Starting from the myth of the Amazons, revisited in the Book of the Kings of Ferdowsi (XI sec.) and ...
Tasso’s Jerusalem Delivered is by definition the poem of the affetti, and on this account it drew t...
The essay analyzes particular scenes of the poem by Tasso (XVI and XVIII) where the symbolic meaning...
Funzioni e vitalità narrativa della Cronaca di Guglielmo di Tiro nella Gerusalemme liberata di Torqu...
On the surface, Armida seems to project binary oppositions. The opera features a brave European hero...
Among the reasons for the extraordinary European fortune, in literary, artistic and musical fields, ...
The translations of Tasso’s Gerusalemme liberata by Richard Carew (1594) and Edward Fairfax (1600) i...
The paper describes peculiar aspects of the Guerre dei goti, Gabriello Chiabrera’s first work, by fo...
The essay analyzes and develops the rhetoric of the language of passions in the Christian poem by Ta...
The romance of Armida and Rinaldo, an episode in Torquato Tasso's epic poem Gerusalemme Liberata (15...
[[abstract]]In Jerusalem Delivered, Tasso describes the siege and liberation of Jerusalem by the fir...
This dissertation analyzes the heroines in Torquato Tasso’s major poetic work, Gerusalemme liberata ...
The Neapolitan painter Paolo Finoglio (1590-1645) here depicts two figures from the third canto of T...
The essay examines some of the intertextualities of the Gerusalemme liberata, with a specific atten...
La conquista de Jerusalén, an anonymous play composed before 1586 which Stefano Arata attributes to ...
Starting from the myth of the Amazons, revisited in the Book of the Kings of Ferdowsi (XI sec.) and ...
Tasso’s Jerusalem Delivered is by definition the poem of the affetti, and on this account it drew t...
The essay analyzes particular scenes of the poem by Tasso (XVI and XVIII) where the symbolic meaning...
Funzioni e vitalità narrativa della Cronaca di Guglielmo di Tiro nella Gerusalemme liberata di Torqu...
On the surface, Armida seems to project binary oppositions. The opera features a brave European hero...