An interview with the costume designers Holly Hynes and Carole Divet, focusing on Barbara Matera and creating costumes for dance
Merchandising executive and head of store design for Bloomingdale's through the mid 1970's, Barbara ...
In her 2022 interview with Emily Layman, Beth Bron discusses her time as an undergraduate student in...
The centre of the research ‘Conversation Costume’ was an investigation of co-creational costume proc...
Barbara Arata-Gavere interviewed by Karen Trivette.As a New York-based fashion designer, Ms. Arata-G...
The traditional role of the choreographer is to devise the dance performance, whilst the costume des...
This project investigates the development of costumes worn by ballroom dancers; tracing the evolutio...
Jose Limon: Modern Dance (pp. 3, 9, 12, 28) -- Martha Graham: Dancer and teacher (p. 3) -- Doris...
Costume Design: Communication Through Dress represents my experience as a candidate in the Universit...
In the spring semester of 2010, Katie Hoekstra designed the costumes for the Hope College Theatre pr...
The costume designer and university professor tells how she has been bringing her two occupations to...
Brynlee Beams, assisted by Kinsey Potts, discusses the costume design process for the original music...
This fascinating discussion includes insights from Trevor Carlson, Executive Director of Merce Cunni...
Costume design is the art of putting clothing on an actor for a specific purpose. It causes a feelin...
Janet Eilber and Melissa Marra at The Museum at FIT's 14th annual fashion symposium, Dance & Fashion...
Includes bibliographical references (p. 72-75)This project is an account of the process of designing...
Merchandising executive and head of store design for Bloomingdale's through the mid 1970's, Barbara ...
In her 2022 interview with Emily Layman, Beth Bron discusses her time as an undergraduate student in...
The centre of the research ‘Conversation Costume’ was an investigation of co-creational costume proc...
Barbara Arata-Gavere interviewed by Karen Trivette.As a New York-based fashion designer, Ms. Arata-G...
The traditional role of the choreographer is to devise the dance performance, whilst the costume des...
This project investigates the development of costumes worn by ballroom dancers; tracing the evolutio...
Jose Limon: Modern Dance (pp. 3, 9, 12, 28) -- Martha Graham: Dancer and teacher (p. 3) -- Doris...
Costume Design: Communication Through Dress represents my experience as a candidate in the Universit...
In the spring semester of 2010, Katie Hoekstra designed the costumes for the Hope College Theatre pr...
The costume designer and university professor tells how she has been bringing her two occupations to...
Brynlee Beams, assisted by Kinsey Potts, discusses the costume design process for the original music...
This fascinating discussion includes insights from Trevor Carlson, Executive Director of Merce Cunni...
Costume design is the art of putting clothing on an actor for a specific purpose. It causes a feelin...
Janet Eilber and Melissa Marra at The Museum at FIT's 14th annual fashion symposium, Dance & Fashion...
Includes bibliographical references (p. 72-75)This project is an account of the process of designing...
Merchandising executive and head of store design for Bloomingdale's through the mid 1970's, Barbara ...
In her 2022 interview with Emily Layman, Beth Bron discusses her time as an undergraduate student in...
The centre of the research ‘Conversation Costume’ was an investigation of co-creational costume proc...
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